Monthly Archives: February 2017
According to an Internet dictionary, a mass murderer is described as “a person who kills several or numerous victims in a single incident.” Slaughtering eight innocent student nurses at one time certainly fits this criteria. Who was the monster responsible for such a heinous crime? Find out in this installment of True Crime Corner.
We’ve heard the rumors and prayed they were true, but it finally here – the return of Super Gorilla Grodd on The Flash, and this time we get to see Gorilla City. Team Flash goes on the hunt for their friend, the Earth-Two Harrison (Harry) Wells, who’s been captured by Grodd, and it just gets worse from there. Meet me after the super-speed cross-dimensional jump for my review of “Attack on Gorilla City.”
One of the most anticipated thrillers of recent times opened this weekend, and audiences were ready and waiting for it. Here’s what went down:
Get Out, the psychological thriller from Jordan Peele, debut in the top spot this weekend with an estimated $30.5 million, definitely on the high side of estimates. I had a chance to see Get Out on Friday night and it was outstanding. The performances from all the lead actors were excellent, it dealt with the subject matter of race relations in a unique method and was genuinely tense throughout its entire running time. My one let down was I was hoping the film would be significantly scarier that it actually was. Regardless, Get Out is a thriller that delivered and then some. Read the rest of this entry
One of the best things about the horror streaming service Shudder is the depth and breadth of its catalogue. It features not only low-budget films that have been overlooked, but also classics of the international horror canon.
Takashi Miike is an incredibly prolific director, having helmed more than 90 films since he began his career in 1991. One of his most well-known movies is 1999’s Audition. As a newcomer to Miike’s filmography, I felt it was time for me to finally tackle a film that often appears on lists of the greatest horror films ever made.
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In the last episode, in perhaps one of the most frightening cliffhangers in Marvel’s Agents of S.H.I.E.L.D. history, five of our team have been replaced by LMDs – everyone but Fitz and Simmons as a matter of fact – and the bad guys are looking for a full set. Meet me after the jump for my thoughts on “Self Control.”
If you’re a fan of horror films, this is a big weekend, as one of the most anticipated genre films in quite a while is hitting theatres. Will it make any impact at the box office? Here’s our prediction:
Get Out is the new thriller from Blumhouse and Jordan Peele, who is best known for his work as one half of the comedy duo Key and Peele. The trailers for this clearly socially conscious film have been absolutely stunning, and should be big drivers in getting a diverse audience to check out the film this weekend. Combined with a current 100% fresh standing at Rotten Tomatoes and its clear that Get Out is the film to beat. Look for a first place debut with $29 million.
It’s only ten minutes into Wild Zero when it is clear this film is heading for a perfect rating on my chaos meter.
Just before the ten-minute mark we’re in the back room of a club witnessing a stand-off between Guitar Wolf (the band, which is made up of men named Guitar Wolf, Bass Wolf and Drum Wolf), a gangster-like talent booker and his henchmen. By this point in the film not much has happened. We’ve met Ace (Masashi Endô), a greaser who loves Guitar Wolf and rock ‘n’ roll in equal measure, and he’s waiting outside the door of this back room to meet his heroes. Just then our dubious talent booker, pointing a gun at the band, says “Rock ‘n’ roll is over, baby” and triggers the beginning of the mania.
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This week in Heroes and Villains our selection of new Marvel Comics includes some very precise distinctions of heroes and villains, folks who cross that line between the two. Meet me after the jump for my reviews of Captain America: Steve Rogers #12, Infamous Iron Man #5, Scarlet Witch #15, Thunderbolts #10, and Avengers #4.1… and beware, spoilers abound…
“Ninety percent of everything is crud.” – Theodore Sturgeon
Welcome back to “The Ten Percent,” a regular column where every other week K. Dale Koontz and I take a look at the inverse of Sturgeon’s Law; in other words, the small portion of everything which is not crud. So many films premiere each year, but only a very few are remembered and revered years later. That’s not a matter of genre – the Ten Percent is a big tent, with plenty of room for comedy, drama, horror, animation, musical, science fiction and many more. But admission into the tent is not easy to come by. Films in this category last because they are high quality productions which demand more of their viewer than simple passive reception.
Before I talk about why 1963’s The Great Escape belongs in the Ten Percent, it’s worth taking the time to point out the film’s flaws. First, neither bicycles nor motorcycles were used in the 1943 escape from Stalag Luft III. Second, the “Great Escape” of 76 Allied POWs took place in unseasonably cold weather during one of the worst winters seen in Eastern Poland in 30 years. Third, there were no Americans among the escapees who were mostly British and Canadian. Finally, there was never any regulation which stated that Allied prisoners were duty-bound to attempt to escape. In fact, many, perhaps most, American and British POWs were generally leery of escape attempts.
The uncharted ether of imagination.
That’s what brings us to today.
Over the last month and a half, we’ve begun unofficially celebrating the year of comic book legend Jack Kirby’s birth here at Biff Bam Pop! The “King” as he’s affectionately called, would be 100 years young this year…and make no mistake, his many pop culture creations live long and strong.
You know many of them: Captain America, The Fantastic Four, Hulk, Silver Surfer, X-Men, etc., etc., etc.
Without Kirby, you could argue there would be no superhero comics, no Marvel Cinematic Universe, no Wednesday Run!
But beyond those characters listed, did you know about Kirby’s early 1970’s Fourth World creations: his “Cosmic Odyssey”? It was a series of interconnected titles that would tell one complete story, a publishing revelation, far ahead of its time!
Well, look no further than today release of the Kirby-inspired, late twentieth century release of, Cosmic Odyssey: The Deluxe Edition – and discover the King’s imagination run rampant across the universe!