Author Archives: JP Fallavollita
And by “official” I mean something on social media – from the sitting President of the United States. If anyone were to read government classified material and leak it at 2 a.m. via Twitter, it would be Trump, don’t you think?
But that hasn’t happened. Yet.
Maybe he’s been too busy hiring and firing.
Maybe he’s been too busy with his own office shenanigans.
Then again, maybe that classified material we all think exists – doesn’t after all. And what a major disappointment that would be.
Still, while waiting for that late-night tweet, there’s a government-alien-conspiracy comic book we should all be reading…and the first issue of a brand new volume drops today with Saucer State #1!
Remember the days when Vertigo Comics was regularly publishing comic book fiction that pushed the boundaries of the art form, giving voice to dozens of burgeoning writers and artists each month that would never have been heard from in mainstream publications?
It was probably the mid to late 1990’s or early 2000’s.
And you were probably in high school or college at the time – and my, oh my, weren’t those the glory days of comic book reading?
It’s a little strange then, that with all the great comics that Vertigo was publishing at the time, a title such as the 2001 three-issue miniseries, User, flew a bit under the radar, even though it won industry awards.
It’s stranger then, that the same title is compiled in a handsome hardcover format by an entirely different publisher (one who has taken up the philosophical mantle that Vertigo Comics once owned), over fifteen years later.
And that the story of User, released (again) today, still resonates!
Status, ruling class, and sub species.
And “King” Jack Kirby.
The theme of social status was the starting point of Kirby’s New Gods comic book title when he strode across the publishing divide, walking away from Marvel Comics and turning his talents and ideas to rival DC Comics.
And boy did he bring ideas and characters that still reverberate nearly five decades later: Darkseid, the Anti-Life Equation, New Genesis, Apokolips, gods, monsters, destiny… and politics.
Not to mention the visionary publishing invention of interlocking titles that constitute one, finite story.
Still, social status was only one of the themes of Jack Kirby’s “Fourth World” series of those interlocking comic book titles that included New Gods, Mister Miracle, The Forever People and Superman’s Pal, Jimmy Olson.
That story of social status continues, with a new generation of great creators in this week’s release of Bug!: The Adventures Of A Forager #1!
They leave a lasting effect in the mind, don’t they?
Why, just last week, this very column highlighted the highly anticipated release of the new Aliens: Dead Orbit series, published by Dark Horse Comics. That one starred, arguably, the greatest and most horrific alien to ever chest-burst its way on to the silver scree. The comic book release happily coincided with #AlienDay and you can catch that particular column here, if you missed it the first time around.
But there’s another cinematic alien every bit as popular as the double-mawed creature of our nightmares.
And today, Dark Horse Comics is once again behind the furthering of that creature’s pop culture legend.
Today sees the release of the universe’s biggest and baddest big-game hunter with Predator: Hunters #1!
Here on planet earth, it’s a different story! Screams of fright, horror and joy abound when we’re talking about the Alien film franchise. You know, the one made famous by directors Ridley Scott and James Cameron: Alien in 1979 and Aliens in 1986. They were the first R-rated films that an under-age me needed to see. Well, those two and Canadian classic, Porky’s.
Those two highlight films have spun-off a flurry of pop culture gold that includes five other Alien-centered films of varying quality (two of which enthusiastically co-star the sci-fi classic Predator creature) with a new and eagerly-anticipated film in the horror franchise only a month away from release.
There’s even a day of the year dedicated to the Alien franchise, an unofficial holiday for fans around this planet: #AlienDay is today, April 26! Tweet out those chest-busters!
With pop culture supremacy, of course, come loads of comic books. Appropriately, then, today sees the release of the first issue of a new mini-series…Aliens: Dead Orbit #1, the perfect accompaniment to a day dedicated to everyone’s favourite xenomorph!
My father had collected and read collected those books during the mid-to-late 1970’s. in the early 1980’s, I found them on the shelf, dusted them off, and stared at the covers for what seemed like forever! The Beasts of Tarzan, Tarzan and the Jewels of Opar, Tarzan Triumphant and Tarzan and the Leopard Men, as well as the others, are remembered very, very fondly.
Those covers by artist extraordinaire, Neal Adams, leapt off the page with thrills, menace and dramatic excitement! They introduced me to pulp adventure and fueled my imagination, leading me towards a burgeoning love of the fantasy and science fiction genres.
They also cemented a common pop culture bond between father and son.
Through Tarzan, other Burroughs classics came to my attention, chiefly, the strange and fascinating worlds of Barsoom and Pellucidar and all the characters that inhabited those continents.
Today sees a childhood imagination rekindled with the intermingling of disparate characters in the pop culture world of comic books.
Of course, that series would need to have the greatest pulp title ever devised…and it does with: The Greatest Adventure #1!
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Just ask any writer of Biff Bam Pop! Heck, ask just about any reader that frequents these digital pages. This site has a love for pop culture, sure, but there’s an underlying need and desire to listen, to read about, and to share favourite music.
Ask Andy Burns, Editor-In-Chief of Biff Bam Pop! and his ever-lasting love of prog-rockers, Yes. And yes, he was there in New York City last weekend when Yes finally entered the Rock and Roll Hall of Fame.
Ask Less Lee Moor, resident Managing Editor of this site as well as the Editor-In-Chief of Popshifter. Besides sharing her enthusiasm for all things music in her regular Pump Up The Jam column here on BBP!, you’ll find that she often waxes lovingly for Richard Oakes-era Suede on social media.
These are the bands, this is the music, that we all grew up with – specifically through our formative years.
And that bit of musical magic brings us straight to the excitement of The Complete Phonogram Hardcover, released today.
Two years next month, in fact.
That’s when the first issue of Providence, the first of twelve bi-monthly issues, dropped into the pulpy hands of eagerly anticipating readers who love horror-themed graphic fiction. May of 2015.
But Providence is much more than just horror. It’s a fascinating take on American outsider culture during the early part of the twentieth century, on the eve of the war to end all wars, written and illustrated by two of the comic book industry’s greatest.
Finally, the series comes to a head: Providence #12.
And it is both the end of days and the beginning of a new, stranger, world!
Your Childhood Cartoons Meets Comics In “Green Lantern/Space Ghost Annual #1” & Others On The Wednesday Run
But it’s a little kid’s dream, isn’t it?
Those after school or Saturday morning cartoons – the ones that we ALL loved so much, made even more real, given a heightened sense of heroic justification, when intermingled with the heroes of the comic books we read!
I mean, we’d regularly have crossover adventures between cartoon and comic book heroes, universes, genres and pop culture mediums with the toys that we’d buy at the local store.
We were ahead of our time.
Green Lantern. Space Ghost. Suicide Squad. Banana Splits. Booster Gold. The Flintstones. Adam Strange. Jonny Quest.
Cartoons and comic books – never the two shall meet?
Not today – today we get ALL the meetings!
The bombs bursting in air!
OK. We’re talking about comic books, not the star-spangles banner of the United States of America – although the two, seemingly disparate elements, intermingle today.
We’ve all talked about his before: one of the great things about comic books is that they are ever-malleable in terms of art, design and story. Regardless of distribution method, or frequency, or shape, or size (all great aspects inherent to comics) there’s also no effects budget to hinder the artistic look of an individual issue. There’s no defined wall, no genre that a writer can’t hurdle a story over – or gloriously crash one through!
There’s proof through the night (and day) of this belief every time we pick up and read a comic book.
Today is Wednesday. It’s new comic book arrival day, a day all comic book readers eagerly look forward to. Let’s celebrate the first issue of a new volume of stories set in America’s nascent past that proves this point – again.
Let’s celebrate Rebels: These Free And Independent States #1