Category Archives: General
The Xenomorph returned to theaters this weekend, and audiences were waiting for it. Here’s what went down:
Amidst strong social buzz and decent (but not spectacular reviews) Ridley Scott’s Prometheus sequel, Alien: Covenant landed in first place at the box office this weekend, bringing in an estimated $36 million, the third largest in the franchise following Prometheus ($51 million) and Alien vs Predator ($38.3 million). While not a bad number, its clear that there was some significant audience drop off following the mixed reaction to Prometheus some five years ago. The film will be lucky to cross the $100 million mark in North America, and it must set its sights on strong box office overseas to guarantee the third film in the story Scott has promised to tell.
It’s a battle of the planets this week, as two interstellar movies vie for the top spot at the box office. Which will deliver the goods? Here’s our prediction:
Alien: Covenant in the sequel to Ridley Scott’s divisive Prometheus, which was a return to the Alien galaxy, but one which didn’t deliver to fans the xenomorph that they’d be hoping for. Scott is aiming to fix that perceived error, and this latest film is reportedly a serious return to the horrors of the original Alien, released back in 1979. Reviews are relatively positive for Alien: Covenant, but it still has to deal with the onslaught of Guardians of the Galaxy: Volume 2. On that note, look for Alien: Covenant to burst into the top spot at the box office with $37 million.
Man. I guess people were so depressed in the seventies they’d try just about anything. As we live through a fast-forward remix of the Watergate scandal, it’s interesting to take a look back at those strange, hungover times. The Commune is a Danish film set in the seventies, so a rather different milieu than Nixon’s America. But societal malaise was pervasive in Western culture at that time. From the talented but uneven director Thomas Vinterberg (The Celebration, The Hunt), The Commune is a loosely autobiographical film of his own experiences growing up in that era. It’s a spare tale of a marriage pushed too far, veering into melodrama.
This weekend, the Guardians held strong, Schumer and Hawn snatched second place, and King Arthur sunk like a sword in a stone. Here’s what went down:
Guardians of the Galaxy: Volume 2 once again was the top film at the box office, bringing in an estimated $62 million to raise its two week total to $245 million. The movie is well on its way to crossing the $300 million mark – is $400 million out of the question. We’ll have to see what sort of legs Star-Lord and company have as the summer blockbuster season rolls on.
Debuting in second place with an estimated $16.5 million is Snatched, starring Goldie Hawn and Amy Schumer. It’s not a great number, but it could increase slightly once the Mother’s Day totals are factored in. The film is battling lacklustre reviews and likely won’t be around for too long.
The same can be said for the mega-bomb King Arthur, which severely underperformed, bringing in just $14.3 million. With no box office draws toplining the film, and abysmal reviews accompanying it, the Guy Ritchie film just didn’t stand a chance.
Two new releases are looking to light up the box office this weekend, but can either of them take down last week’s number one? Here are our predictions:
The first notable release this weekend is the big budget Guy Ritchie film, King Arthur, about the Knights of the Round Table. Reviews have been absolutely horrid for the film, which is currently sitting at just 24% fresh at Rotten Tomatos. That’s far from good for what was theoretically supposed to be a new franchise. Neither Charlie Hunnan nor Jude Law can open a film, and those are the biggest stars in King Arthur. Folks looking for a spectacle (or a train wreck) might show up, but there’s just not going to be enough of them. Look for a second place debut with $18 million.
That is, unless Snatched manages to grab that spot.
Anyone who watches Mr. Robot knows how hypnotic Rami Malek’s presence can be. He’s mastered an aura of complicated blankness, his glinting, buggy eyes set deep in his flatly inexpressive face. Malek calls on that same bright, disturbed facade to propel the shambolic, disjointed thriller Buster’s Mal Heart from director Sarah Adina Smith. A head-scratcher with a twisty split narrative, the film’s an uneven study of one man’s descent into madness, held together by the force of Malek’s commanding distance.
Are you ready to go back to the world of the Replicants?
The new trailer for Blade Runner 2049 just dropped.
Last night during the MTV Movie Awards, the second trailer for a Stephen King’s It was released. And now we have it for you. Watch it, and get ready for the movie, which is due out in a September.
There was a time when The Ring was the scariest film franchise going.
Based on the Japanese novel Ringu, written by Kôji Suzuki and its own cinematic adaptation by Hideo Nakata, the 2002 film introduced North American audiences to the character of Samara and a director named Gore Verbiniski, who would go on to spearhead the Pirates of the Caribbean franchise for Disney. The film was a box office success and scared the pants of audiences, so of course there was a sequel. The Ring Two didn’t make as much money as the first, even with Japanese director Najata at the helm, and the franchise was put on ice.
Until this year, and the third entry in the series, Rings. Which didn’t do very well at the box office and which critics hated.
The Guardians of the Galaxy blasted off this weekend with an outstanding debut. Here’s what went down:
Though it didn’t make the lofty heights we predicted, Guardians of the Galaxy Volume 2 still had a fantastic weekend at the box office, debuting in first place with an estimated $146 million. That’s significantly higher than the original’s 2014 opening haul of $94 million, as the film is well on its way to a $300 million plus haul in North American alone. You can check out Glenn Walker’s review of the film here. I saw it yesterday and found it surprisingly poignant and moving, with excellent performances all around, Director James Gunn is in place to help shepherd the next decade of Marvel films, and I think fans are all the better for it.