Dorianne Emmerton

By Dorianne Emmerton December 7, 2022December 5, 2022

Blood in the Snow Film Festival 2022: ‘Follow Her’, ‘Vicinal’, ‘Mother Tongue’, ‘AlieNation’, and ‘Angakusajaujuq: The Shaman’s Apprentice’

Dorianne Emmerton reviews some of the horror shorts at the Blood in the Snow Film Festival

By Dorianne Emmerton December 6, 2022December 6, 2022

Blood in the Snow Film Festival 2022: Rodrigo Gudiño’s ‘The Breach’

In Rodrigo Gudino’s ‘The Breach’, the landscape is beautiful, the actors are attractive, the horror is cosmic, and the special effects are gruesome.

By Dorianne Emmerton October 16, 2022October 16, 2022

31 Days of Horror 2022 – The Performances That Make Us Scream “Saint Maud” (2020)

In the latest installment of The Performances That Make us Scream, Dorianne Emmerton looks at the phenomenal work of Morfydd Clark in Saint Maud.

By Dorianne Emmerton September 17, 2021September 17, 2021

Review: Virginia Abramovich’s ‘Between Waves’ Spans Dimensions

In the new Canadian film Between Waves, from filmmaker Virginia Abramovich, both the emotions and the intentions of the people moving between worlds are quite untidy.

By Dorianne Emmerton August 29, 2021August 26, 2021

Tribeca Film Festival: ‘Mark and Mary and Some Other People’ Review

Hannah Marks’ ‘Mark and Mary and Some Other People’ Gets It All Wrong

By Dorianne Emmerton August 28, 2021August 26, 2021

Tribeca Film Festival: Samantha Aldana’s ‘Shapeless’ Review

In Samantha Aldana’s ‘Shapeless’, Ivy knows her secret is destroying her, but she’s so good at keeping it. There’s always another snack to eat, and always another man to screw, as she and her body continue to betray each other.