Author Archives: danielhreed
Zama, the long-anticipated return of Argentinian director-extraordinaire Lucrecia Martel, is an astonishing work of colonial examination and technical perfectionism.
Beyond The One and Strangely Ordinary This Devotion are two works of art with major texture and substance. Paired together as a double bill (both films clock in at under an hour), they explore concepts of love, relationships, and intimacy in powerfully poetic ways.
Dragonfly Eyes, Chinese artist Xu Bing’s first foray into feature-length filmmaking, is a direct glimpse into what the future of cinema might be.
Jenna Bass’s latest film, High Fantasy, is a fascinating glimpse into the lives of South Africa’s multi-cultural youth. Appearing as a sort of homemade travelogue, High Fantasy is filmed as if collected from a group of friends’ various iPhones and then officially edited together afterwards.
Simone Estrin’s 26-minute documentary, A Shift in the Landscape, is now playing at the Ryerson Image Centre’s (RIC) Student Gallery. As soon as the house lights dim, the colossal abstract sculptures of Richard Serra flood the screen. It is an immediate meditation on art and how it inhabits the environment.
John Bolton’s Aim for the Roses is a quirky and ambitious film. Set to make its world premiere at Hot Docs 2016, Toronto’s documentary film festival extravaganza, Aim for the Roses is a story of obsession.
Wings of Desire, Wim Wenders’ final fictional film from the 1980s, is lighter than a feather. The wispy gates of heaven open to an overcast Berlin in the twilight of The Cold War. Angels float through the streets and listen to the thoughts of the city’s many lonely characters.
Wim Wenders’ visionary Palme d’Or winning film Paris, Texas is the culmination of the director’s many years of hard work capturing life on the road. This poetic study of what it means for one to belong in the world transcends language and reality.
Wim Wenders’ neo-noir thriller, The American Friend, looks like it was cut from the same cloth as other films from the genre. When viewing the film in 2016, it’s hard not to make stylistic connections to such titles as: The French Connection, Chinatown, and Point Blank. However, what makes The American Friend stand out from its counterparts is that it doesn’t concern itself with trying to fulfill a mysterious plotline.