Red Letter Day ratchets up the paranoia, big laughs, and practical gore effects to create a wild and unique horror experience.
The Mortuary Collection is sure to make its way into heavy rotation around Spook-a-Doodle time.
Frostpunk’s biggest success is that it provides real gravity to the usual strategy formula
There are so many different things going on ‘Making Monsters’ that one film can’t hold them all. And this one doesn’t. It’s still a fun watch.
‘Witches in the Woods’ tries a lot of different things, but none of them work as well as Sachin Hingoo wants them to.
Read Tim Murr’s review of ‘To Wallow in Ash and Other Sorrows,’ the debut short story collection by author Sam Richard.
With sure direction and a surprise-filled script, Bong Joon-ho’s award-winning festival favorite, ‘Parasite,’ may be the best film of the year.
E.A. Henson looks at the first issue of “The Dark Crystal: Age of Resistance” comic and celebrates the return of “Bloodshot” from Valiant.
Peek behind the canvas curtain with the excellent wrestling documentary, ‘Nail in the Coffin: The Fall and Rise of Vampiro.’
Despite a couple of strong performances, ‘Angelique’s Isle’ buries an essential true Canadian story under flashbacks and supernatural elements.
‘Villains’ allows four underrated actors to play a game of cat-and-mouse in a thriller with a surprising amount of heart.
‘Homewrecker’ draws a horrifying picture of what happens between two women when common courtesy overrides obvious behavioral red flags.