I can’t believe this is already the fifth episode in season three of Outlander. I guess time flies when you’re having fun. At the end of last week’s show, it seemed that Claire was willing to move on without Jamie. Will she have a change of heart? Be forewarned, there are spoilers ahead.
On the last episode of Outlander, poor Frank died, leaving Claire free to pursue Jamie. Meanwhile, Jamie was released from prison and into the service of a British family by John Grey. Have the time-traveling lovebirds reunited yet? Spoilers follow if you haven’t watched “Of Lost Things.”
On last week’s episode of Outlander, we saw Claire start medical school while Jamie devised a plan to be turned in to the British by his sister so that her family might benefit from the reward. I felt sorry for Frank, still trying to make a marriage with a woman who seems to reject him. Please note that the following contains spoilers if you haven’t seen the latest episode.
On the last episode of Outlander, we saw Claire and Jamie move on with their lives without each other. Claire and Frank are raising little Brianna as their own, while Jamie escaped execution and was returned to Lallybroch. How did they fare this week? (There are spoilers ahead if you haven’t seen the latest installment).
It seems like an eternity since we last saw a new episode of Outlander. Was the start of the third season worth the wait? The following contains spoilers, if you haven’t watched the episode yet.
The show opens with a gruesome landscape, the bodies of soldiers who didn’t survive the Battle of Culloden, strewn about the battlefield. Jamie Fraser lies seriously wounded atop a pile of fallen brothers. In his haze, he witnesses redcoats relieve bodies of any weapons that they find. Soldiers found still alive are killed, and Jamie lies still to avoid detection. He has flashbacks to the battle. We see Murtaugh (how I’ve missed his wit)! We also see Jamie wage a personal battle with Jack Randall, and it appears that Jamie cuts him down, as the body on top of Jamie seems to be Randall’s. Jamie thinks he sees Claire walking toward him as the snow falls, but it’s a fellow Scot who removes him from the pile of the dead to safety. We see a dragonfly in amber on the ground.
Claire and Frank seem to be faring better than Jamie. The year is 1948 and they are in Boston because Frank has taken a job at Harvard. They are checking out a home that they will buy to accommodate their growing family. (Claire is pregnant with Jamie’s child). It appears they are trying to resume their lives, but when a busybody tells Claire that she won’t find a man like Frank again, we can see in Claire’s face that she is thinking of Jamie.
Sure, Jack Kirby’s a revered artist, and he created some of the best known comic characters around. Captain America and the Avengers and the Inhumans and the X-men, Galactus and the Silver Surfer and Red Skull and Darkseid, Kirby had a major hand in the stories and look of the heroes and villains currently raking in millions upon millions for film franchises on both sides of the ‘verse divide. He’s a giant of a figure, as BBP continues celebrating a summer of Kirby at 100. But did you know Jack Kirby was a spy?
Oh, those marvelous Tuscan hills, ochre-tinted and rolling against a clear blue sky – how I want to stay again!
Oh, the endless panorama of the Barossa Valley – may the image be forever in my sight!
Oh, the cool and calming climate of the Valle de Casablanca – may I dream of you once more!
The connection to these four locales? It’s evident isn’t it?
Wine. Nectar of the capital “G” Gods. And if you’re anything like me, a good glass of wine makes for an enjoyable time.
Be it Cabernet Sauvignon, Sangiovese, Syrah or a Blanc, every glass of wine takes you to its place of origin, enlightening you to its landscape, its people and its history.
And that’s the premise to today’s release of the absolutely lovely and tasty Time & Vine #1!
Really, we’re off that board in a number of ways.
It’s not like it’s something new for “comic book” writers and illustrators to adapt classic works of fiction and non-fiction into the form of sequential art. DC Comics published a visual history of the The Bible in 1975 by industry legends Sheldon Mayer and Joe Kubert. Robert Crumb adapted The Book of Genesis nearly a decade ago. And, of course, we’ve seen countless visual versions of much-loved novels by industry favourites such as Madeleine L’Engle’s A Wrinkle In Time by Hope Larson, Richard Stark’s Parker by Darwyn Cooke, Beowulf by Santiago Garcia and David Rubin, Paul Auster’s City of Glass by Paul Karasik and David Mazzucchelli, and the works of H.P. Lovecraft – by various creators in various publications.
These, of course, are just a few.
The interesting thing is that mainstream publishers of traditional fiction and non-fiction formats have gotten in on the graphic novel game in a big way over the last decade.
And today, big time mainstream publisher Simon & Schuster, known more for those traditional formats of fiction and non-fiction, dip their toes in the warm pool of sequential art with the release of the visual version of Pulitzer Prize winning novel, The Good Earth!
Once again Doctor Who explores a mystery from the pages of history itself, what happened to Legio IX Hispana? As The Doctor and Bill and Nardole journey back to second century Scotland to find the Ninth Roman Legion, they discover a more sinister threat awaits them. Meet me after the time jump for my thoughts on “The Eaters of Light.”
We’re running through the standard Doctor Who companion introductory course with Bill Potts. We’ve had an adventure on Earth, and we’ve been to the future, now it’s time to go into the past. Is there something under the frozen Thames of the early 1800s eating people? Meet me after the time travel jump as The Doctor and Bill investigate “Thin Ice.”