Category Archives: movies
When Ben Affleck was first announced as portraying Batman in the recent DC Batman v Superman: Dawn of Justice, plenty of Batman fans expressed outrage. It was just a few years after Christian Bale hung up his cowl there was yet another version of the Caped Crusader hitting cinemas? Not to mention that contingent of fans who were still invested in Michael Keaton as Bats (or George Clooney… or Val Kilmer… I mean, those people exist, right?).
What about those old school diehards who still think Adam West was the best Batman of all time? (Hey, there’s room for all of us in the Batverse!) Well, good news, Batfans! There’s a new movie with Adam West and Burt Ward as Batman and Robin. And if you’re wondering how much CGI it will take to erase 50 years, there’s an answer: none.
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There was noting terribly notable about this weekend at the box office – three new films debuts but none could unseat last week’s top two. Here’s what went down:
Suicide Squad managed to hold on to the top spot at the box office for the third weekend in a row, bringing in $20.7 million to raise its total to an excellent $262 million. For all the critical drubbings the film has taken, the fact that it’s narrowing in on $300 million is a good thing and demonstrates that Will Smith made a good move passing on Independence Day: Resurgence for entry into the expanding DC Universe.
Though there are new releases hitting theaters this weekend, none of them have much buzz going for them, and as they’re being released during the dog days of summer, they’re unlikely to have much traction. Will any come out on top? Here’s our prediction:
War Dogs is the highest profile new release this weekend, thanks to director Todd Phillips and stars Miles Teller and Jonah Hill. However, though Phillips gets kudos for the Hangover films (well, at least the first one), neither Hill nor Teller can open a film, even though they’re both outstanding actors. And with War Dogs falling into the dramatic category, odds are its not going to find a huge audience this weekend. Look for a third place debut with $14 million.
And then it managed to defy hugely lowered box office expectations in its second weekend, bringing in another $45 million.
We all know that critical appraisals haven’t been kind, but we have our more upbeat review of the flawed movie here, if you’re interested in a little Internet positivity. I know. It’s tough to come by these days.
Like all big comic-book-to-film movies, we here at BBP are always wanting Easter Eggs and, despite the relative obscurity of its’ main characters, it was no different with Suicide Squad. In fact, the fertile grounds that give birth to these kinds of Eggs might have never been riper!
You can catch up on our Suicide Squad Easter Eggs Wants right here, but now that we’ve all seen the flick, let’s find out if we got the secret, tasty eggs we were hoping for!
In keeping with DC film tradition, last week’s number one had a substantial fall from grace, while an R-rated animated film made an impact. Here’s what went down:
Suicide Squad managed to hold on to the top spot at the box office for the second week in a row with relative ease, bringing in an estimated $44 million, raising its two week total to a solid $223 million. The downside of that still strong number is the film fell 67% week to week, which is close to the 69% decline that Batman vs. Superman was hit with in its second weekend. It will be interesting to see if Suicide Squad is able to clear $300 in North America before its run is over.
The new story trailer for Star Wars: Rogue One just dropped. There’s a nice chunk of juicy narrative morseldom dished out in its two minutes and fifteen seconds. And possibly the most exciting back-of-someone’s-head shot of all time. Which is apparently the moment we’ve arrived at in popular culture. But shit, it is pretty cool. Feast your eyes, Rebel soldiers, after the jump.
Can last week’s number one film hold on to the top spot, or will a new release lay claim to the throne? Here’s our prediction:
Pete’s Dragon is a remake of a Disney favourite, updated for the next generation. 2016 has been kind to Disney films, with both Zootopia and Finding Dory huge hits for the company (not to mention Captain America: Civil War). The summer season has also been flush with strong family films (once again, Finding Dory, along with The Secret Life of Pets), and there’s no reason why Pete’s Dragon won’t be able to continue the trend, especially with the solid critical notices its receiving. Look for a second place showing with $35 million.
“Ninety percent of everything is crud.” – Theodore Sturgeon
Hello and welcome to another installment of “The Ten Percent,” a regular column here on Biff Bam Pop! where every other week Ensley F. Guffey and I take a look at the inverse of Sturgeon’s Law; in other words, the ten percent of everything which is not crud. Sometimes it can be hard to remember that for each film or television show that gets people talking years after its premiere, there are hundreds of others that barely cleared the horizon before being (thankfully) shot down. The works that soar above the rest – well, those are the works that stand the test of time. And don’t be fooled into thinking that genre matters to the Ten Percent – slapstick comedy is in here, along with science fiction, animation, bloody horror, toe-tapping musicals, and more. The Ten Percent last for two reasons: (1) they are high quality productions which demand more of their viewer than simple passive reception and (2) they somehow manage to capture something fleeting and rare and preserve it for the lucky viewing public.
It’s an often-cited adage that the Academy doesn’t give Oscars to comedies. It’s also a often-cited adage that comedy is difficult – as Peter O’Toole’s Alan Swan says in My Favorite Year, “Dying is easy; comedy is hard.” (Yes, other people are credited with saying it first, but when you try to track that down, the footprints vanish into the mist quite completely. So O’Toole it is.) At any rate, good, gut-busting comedy is hard to come by and comedy also changes with the times; far more so than straight dramatic stories. (This is one reason why Shakespeare’s tragedies tend to be a bit easier for modern audiences to understand than his comedies. Times change, and with that, tastes change as well.) We’ve written about comedy before here at The Ten Percent, but we haven’t delved into one of the great slapstick parodies of the last half-century. This column intends to rectify that.
Parodies often work best when more than one particular item is being spoofed. If all the jokes rely on your audience having seen the One Thing that serves as your source material – well, that can be risky indeed. So Blazing Saddles spoofs the entire genre of Western cowboy movies instead of just sending up High Noon. In a similar fashion, back in 1980, Jim Abrahams, along with brothers David and Jerry Zucker, decided that the disaster film genre could use a comedic treatment. Borrowing from the 1957 film Zero Hour! as well as Airport 1975, they gave us the fast-paced hilarity of Airplane! and lo, the world was a better place.
Much of the humor of Airplane! derives from watching heretofore serious actors who have been given a very loose rein to “go big or go home.” Robert Stack, who plays Capt. Rex Kramer, had previously played the captain who loses his nerve in 1954’s The High & the Mighty, one of the first airline disaster films, and here has a wonderful, scenery-chewing time as the straight man. Lloyd Bridges, who plays Steve “Looks like I picked the wrong week to give up sniffing glue” McCroskey, is directly parodying his role as the airport manager in San Francisco International Airport, a television show from 1970 – 1971. And Peter Graves (Capt. Clarence “Joey, have you ever been in a Turkish prison?” Oveur) had played in the made-for-TV disaster film SST: Death Flight (seriously, what a title!).
Moreover, most viewers don’t know that Leslie Nielsen, who is so incredibly funny in this film (as well as in the Naked Gun series, which was also written and produced by the Airplane! team) began his career as a square-jawed leading man – go watch the science fiction classic Forbidden Planet if you need a refresher.* And yes, it’s that straight-ahead hero type who terrorized the Airplane! set with – yes – a whoopee cushion.
Overall, the plot is standard disaster-film issue and is basically lifted right from Zero Hour! But nothing like the rapid-fire punning, visual gags, and off-color jokes had been seen in a disaster film before – and they worked. The film made a handsome return on its cost and has been named one of the best filmed comedies of all time on a number of polls and is ranked as #10 on the American Film Institute’s list of Best Comedies. In fact, Airplane! is on the National Film Registry, which is run by the Library of Congress, thereby ensuring that generations yet unborn will delight in seeing Johnny (the late, and greatly missed, Stephen Stucker) declare, “There’s a sale at Penney’s!” (And they will also get to benefit from his extensive origami skills.)
Look, life is hard these days. Airplane! gives us an hour-and-a-half of sheer, rib-splitting laughter. Do yourself a favor and watch it again, for any movie that allows the Beaver’s mom (Barbara Billingsley) to send up that pearls-and-apron paragon of domestic perfection certainly deserves its spot on The Ten Percent.
*Plus, bonus points if you know that Gunderson, the tower tech who checks the “radar range,” was played by Jonathan Banks, who would go on to memorably play Mike Ehrmantraut on Breaking Bad. (Look at the 15-second mark on this clip.)
Ensley F. Guffey and K. Dale Koontz are co-authors of Wanna Cook? The Complete, Unofficial Companion to Breaking Bad, and of the forthcoming Dreams Given Form: The Unofficial Companion to the Babylon 5 Universe (fall 2017). You can find Dale online at her blog unfetteredbrilliance.blogspot.com and on Twitter as @KDaleKoontz. Ensley hangs out at solomonmaos.com and on Twitter as @EnsleyFGuffey.
An orphan, a mystery, and a secret friendship: in this edition of Creations of Chaos, I reconnect with the types of stories I obsessed over as a child, as I discuss Studio Ghibli’s When Marnie Was There.
It was a big weekend at the box office, as Suicide Squad managed to hold off bad reviews to bring in some decent money in its debut. Here’s what went down:
Suicide Squad debuted with an estimated $135 million to land at the top of the box office. It also beat the August record previously held by Guardians of the Galaxy with $94.3 million. This is a strong showing, especially in the face of the terrible reviews the film received. The big question now is how bad will next weekend’s drop be – anything more than 60% will be a disaster.