Blood In the Snow 2018 – ‘Fugue’ is a Twisty Bottle Story
An official selection of the Blood in the Snow festival, Tomas Street’s ‘Fugue’ is a twist-filled mystery where the truth is difficult to ascertain.
Category: Sachin Hingoo
In The Game: WWE 2K19’s Career Mode Embraces The Weird
WWE 2K19’s career mode capitalizes on how fundamentally bizarre its product can be, and it’s one of the best video game experiences Sachin Hingoo’s had this year.
31 Days Of Horror: Preview – The Brooklyn Horror Film Festival (Oct 11-18)
One of the most exciting new genre festivals in the US, the Brooklyn Horror Festival, is coming up and is definitely worth your time.
31 Days Of Horror: Can Evrenol’s ‘Housewife’ is a Respectably Ambitious Step Forward
Can Evrenol is nothing if not a student of the horror game, and his new film Housewife plays out like a highlight reel of his influences.
TIFF 2018 Review: Gaspar Noe’s ‘Climax’
There’s a buffet of evil, laced with some extremely sweet dance moves, to feast on in Gaspar Noe’s latest, Climax.
In The Game: Fire Pro Wrestling World (PS4)
Fire Pro Wrestling World, retains the series signature 16-bit-era graphics which might make the game a tough sell at full price, but if you’re a real wrestling fanatic, this is one of those cases where you shouldn’t judge a book by its cover.
TIFF 2018: ‘Endzeit (Ever After)’ Is A Feminist Zombie Phenomenon
The 2018 TIFF selection, ‘Endzeit,’ presents a decidedly feminist viewpoint towards the inevitable zombie holocaust and a unique visual style.
Biff Bam Pop! Remembers Jim “The Anvil” Neidhart
On Monday, we lost Jim “The Anvil” Neidhart, one of the most charismatic wrestlers ever and someone that embodied that spirit of tag team wrestling.
TIFF 2018: The Midnight Madness Lineup Is Revealed!
The reveal of the TIFF Midnight Madness lineup, that dark corner of bloody and weird fare, hand-selected by programmer Peter Kuplowsky, is like Christmas to me.
Fantasia 2018: ‘The Witch Part One: The Subversion’ Almost Gets It Right
The Witch Part One: The Subversion,’ South Korean director Park Hoon-jung’s latest film, graces Fantasia 2018 with a hefty dose of violence, but doesn’t bring audiences much of anything new.