An official selection of the Blood in the Snow festival, Tomas Street’s ‘Fugue’ is a twist-filled mystery where the truth is difficult to ascertain.
WWE 2K19’s career mode capitalizes on how fundamentally bizarre its product can be, and it’s one of the best video game experiences Sachin Hingoo’s had this year.
One of the most exciting new genre festivals in the US, the Brooklyn Horror Festival, is coming up and is definitely worth your time.
Can Evrenol is nothing if not a student of the horror game, and his new film Housewife plays out like a highlight reel of his influences.
There’s a buffet of evil, laced with some extremely sweet dance moves, to feast on in Gaspar Noe’s latest, Climax.
Fire Pro Wrestling World, retains the series signature 16-bit-era graphics which might make the game a tough sell at full price, but if you’re a real wrestling fanatic, this is one of those cases where you shouldn’t judge a book by its cover.
The 2018 TIFF selection, ‘Endzeit,’ presents a decidedly feminist viewpoint towards the inevitable zombie holocaust and a unique visual style.
On Monday, we lost Jim “The Anvil” Neidhart, one of the most charismatic wrestlers ever and someone that embodied that spirit of tag team wrestling.
The reveal of the TIFF Midnight Madness lineup, that dark corner of bloody and weird fare, hand-selected by programmer Peter Kuplowsky, is like Christmas to me.
The Witch Part One: The Subversion,’ South Korean director Park Hoon-jung’s latest film, graces Fantasia 2018 with a hefty dose of violence, but doesn’t bring audiences much of anything new.