Review: In ‘The Peanut Butter Falcon,’ The Journey Is the Point
‘The Peanut Butter Falcon’ is a fantastical story of determination, friendship, and pro wrestling.
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Category: Sachin Hingoo
Review: ‘Villains’ is a Black Comedy-Thriller-Romance With A Heart of Gold
‘Villains’ allows four underrated actors to play a game of cat-and-mouse in a thriller with a surprising amount of heart.
Fantasia 2019: In ‘Homewrecker,’ Being Polite Will Kill You
‘Homewrecker’ draws a horrifying picture of what happens between two women when common courtesy overrides obvious behavioral red flags.
Fantasia 2019 Review: The Witch Next Door In ‘The Wretched’
‘The Wretched,’ an official Fantasia 2019 selection, is an evocative film, unafraid to wave its witchiness in the viewer’s face.
Documentary ‘Scary Stories’ Is A Deep Dive Into Alvin Schwartz’s Nightmares
The tale behind the famous ‘Scary Stories to Tell in the Dark’ trilogy is sad, compelling, and the subject of Cody Meirick’s documentary, ‘Scary Stories.’
Joe Talbot and Jimmie Fails’s ‘The Last Black Man In San Francisco’ is a Big Mood
The Last Black Man in San Francisco is a story about people who are so achingly in love with their city, and want so desperately to weave themselves into its fibres but have been shut out.
Biff Bam Pop’s Staff Picks From The Fantasia International Film Festival!
Sachin Hingoo and Jeffery X Martin run down the movies they’re most excited about from this year’s Fantasia International Film Festival.
Cinepocalypse Review: Gigi Saul Guerrero’s ‘Culture Shock’ Is An American Nightmare
Gigi Saul Guerrero’s feature debut, ‘Culture Shock,’ is a terrifying look at immigration, which recently premiered at the Cinepocalypse Film Fest.
Cinepocalypse Review: ‘Kindred Spirits’ Gets Under Your Skin
Lucky McKee’s suburban horror movie, ‘Kindred Spirits,’ brings an ominous air of murderous psychodrama to the Cinepocalypse Film Fest.
Cinepocalypse Review: Animated ‘Attack of the Demons’ Falters on Script
Cinepocalypse selection ‘Attack of the Demons’ uses a fascinating animation technique, but the story doesn’t quite hit its intended target audience.
Jim Jarmusch’s “The Dead Don’t Die” is Enjoyable Nonsense
‘The Dead Don’t Die,’ Jim Jarmusch’s meta zombie comedy, fills the screen with great characters, then kills most of them.
All Elite Wrestling: Can It Change The World?
All Elite Wrestling will be presenting their first PPV event, ‘Double or Nothing,’ May 25. Could AEW be the promotion that saves wrestling from itself?