Review: Bruce LaBruce’s ‘Saint Narcisse’ is a Career Best

Bruce LaBruce’s ‘Saint Narcisse’is a compelling and provocative story, and has style for days along with one hell of a climax.

TIFF 2021: Jean Luc Herbulot’s ‘Saloum’ Is Effortlessly Cool

Jean Luc Herbulot’s ‘Saloum’ is a story that feels both big (as in continent-spanning) and small (as in deeply personal) that can be compared to ‘From Dusk Till Dawn’ or ‘Predator’, but feels entirely unique.

TIFF 2021: Julia Ducournau’s ‘Titane’ is the Most Subversive Film of the Year

When either set of credits roll on Julia Ducournau’s Titane, the most likely feeling you’ll have is a kind of delicious whiplash, or disorientation. You may not know what you’re in for, or what you’ve just witnessed, but you’ll likely be certain that you’ve seen something special. 

Fantasia Film Festival 2021: Richard E. Bates Jr’s ‘King Knight’ Wears It’s Heart on It’s Sleeve

While all of Richard E. Bates Jr.’s other projects feature, in some way, a journey of reflection and self-actualization, King Knight may be the first to really achieve it. 

The Week in Horror: ‘Unkillable’, ‘Welcome to the Blumhouse’, ‘Zalava’, + more!

This week, I’ve got a bangin’ new joint from John Carpenter from the score of Halloween Kills, news on the exciting new films in the second series of Amazon’s Welcome to the Blumhouse, a new trailer for Iranian horror Zalava, and more!