Category Archives: Film
We’re hearing that it’s full of action, adventure, tears and joy – and that there are <a-hem> pardon the pun – wonderful performances throughout the film!
Yesterday, Biff Bam Pop! Editor-In-Chief, Andy Burns, predicated a $105 million bankroll for the film in its first weekend of release. That’s a hefty and, frankly, outstanding sum of coin for this film and a number that can only be deemed a victory for the DC Cinematic Universe. There’s a lot riding on the Wonder Woman film both creatively and monetarily.
But Wonder Woman is more than just a single film. The character is a 75-year old pop culture icon of strength, love, hope, and will – not to mention an number of other positive and engaging adjectives!
Did you know that today, June 3, is #WonderWomanDay?!
Perfect timing, really…and there are a number of things you, or someone you love, can do to participate in the worldwide celebrations!
Biff Bam Pop! Founder and Contributing Writer Andy Burns, and other interviewers, had a chance recently to chat with actor Topher Grace, who folks might remember from That ’70s Show and as Venom in Sam Raimi’s Spider-Man 3, and now stars in Netflix’sWar Machine with Brad Pitt. Come join us for this fascinating discussion after the jump.
Man. I guess people were so depressed in the seventies they’d try just about anything. As we live through a fast-forward remix of the Watergate scandal, it’s interesting to take a look back at those strange, hungover times. The Commune is a Danish film set in the seventies, so a rather different milieu than Nixon’s America. But societal malaise was pervasive in Western culture at that time. From the talented but uneven director Thomas Vinterberg (The Celebration, The Hunt), The Commune is a loosely autobiographical film of his own experiences growing up in that era. It’s a spare tale of a marriage pushed too far, veering into melodrama.
Anyone who watches Mr. Robot knows how hypnotic Rami Malek’s presence can be. He’s mastered an aura of complicated blankness, his glinting, buggy eyes set deep in his flatly inexpressive face. Malek calls on that same bright, disturbed facade to propel the shambolic, disjointed thriller Buster’s Mal Heart from director Sarah Adina Smith. A head-scratcher with a twisty split narrative, the film’s an uneven study of one man’s descent into madness, held together by the force of Malek’s commanding distance.
Without a doubt, the biggest movie coming out this weekend is Guardians of the Galaxy Vol. 2 from Marvel Studios. The first movie in this franchise within a franchise was a surprise hit, and one of the best of the Marvel movies. How did its sequel hold up? Meet me after the hyperspatial jump for my thoughts. Heed my warning, folks, there be spoilers ahead.
Gaming culture’s gotten huge. It’s easy to miss, but the gaming industry makes more than either the movie or music industries. Hot Docs in Toronto plugs into the gaming world this year with two very different documentaries. Living the Game takes a revealing look at the world’s best competitive Street Fighter players, while Ukiyo-e Heroes is a subtler portrait of an unlikely collaboration, as an elderly master of Japanese woodblock carving teams up with a graphic designer to make classical Japanese prints of modern gaming characters.
With his passing on Wednesday, I sat down to watch a couple of Jonathan Demme’s best films. Demme’s never been in the pantheon; he’s not one of the revered directors of his generation like Martin Scorsese or Francis Ford Coppola. But with films like Silence of the Lambs and Philadelphia, and his superb music docs on the likes of Neil Young, Talking Heads and Bruce Springsteen, he made an indelible mark on popular culture.