Category Archives: Film
Takashi Miike’s been one of the biggest shock jockeys of Japanese cinema for eons. Ichi the Killer (2001) was a high-splatter mark for lovers of extreme gore, and Miike’s output has been an extraordinary arterial gusher. Blade of the Immortal is billed as Miike’s hundredth film, and while one could quibble (glancing over his Wikipedia bio, I count somewhere in the mid-nineties), the fact is the guy’s made an astonishing number of films. And he’s only fifty-seven!
Blade of the Immortal finds Miike plying his grisly gonzo in the service of a long-running samurai manga. Is the legendary director finally in danger of becoming a hack, or does his blood-slicked blade cut through one more time?
Mudbound is a fascinating, moving film from director Dee Rees. Set in the deep south during the forties, this adaptation of Hillary Jordan’s 2008 bestseller is deeply affecting but not without its own contradictions, a sprawling literary epic that feels somehow too contained.
Long and winding and fraught with bumps and pitfalls and massive industry, cultural, commercial and familial obstacles.
Resiliently plowing through these numerous impediments, Warner Brothers has finally made good on a long-standing promise to showcase the greatest heroes of pop culture on the silver screen – the comic book visages of Superman, Batman, Wonder Woman, Flash, Aquaman, and Cyborg, the Justice League, together for the first time.
It’s actually not technically the first time the Justice League has been together on screen. There have actually been numerous iterations of the group over the years. But the road taken for this particular Justice League, is an interesting one indeed.
To get to here, let’s take a quick look back at there, and all the previously mentioned hazards that nearly conquered the world’s greatest superheroes.
Just seven. Seven features over twenty-four years. That’s the sum of Andrei Tarkovsky’s output. Each one is a starkly entrancing masterpiece, evidencing a unique metaphysical vision. They’re about as far from easy films as you can get. They’re rich, nuanced and spare, and hugely influential in an oblique way. Art house giants like Lars von Trier and Terrence Malick owe a tremendous debt to Tarkovsky, and the existential science fiction of films like Stalker and Solaris casts a long, looming shadow into the present day.
Francis Lee’s debut feature God’s Own Country finds its soul in the rugged English countryside, bleak and affecting. Getting raves on the indie circuit, it’s a stark romance about a young farmer discovering his sexuality. But is it Brokeback UK, or is there more to it?
Rats are terrifying, of that there is no doubt. Just the sight of one at a store or restaurant will cause us to never visit the establishment again, and heaven forbid we see one in our home! Now imagine them organized, and turned against us. Brrrr… yeah, really scary. That was the theme of two frightening films of the early 1970s. Meet me after the jump for my 31 Days of Horror reviews of Willard and Ben!
What if you could have everything your heart desired? There is only one little catch, you need to sew buttons into your eyes and be willing to lose your soul. On this 31 Days of Horror edition of Creations of Chaos, it’s one my favorite animated films, the disturbingly creepy, Coraline.
Getting your first car is a threshold into becoming an adult, a freedom that every kid craves, we love our cars here in America – but what happens when our friend becomes our enemy? What happens when The Devil possesses the great American dream? Just when you thought it was safe on the street again, here comes The Car! Meet me after the jump for my 31 Days of Horror review of The Car!