Topside is a grim but intimately-observed gem, one that Sachin Hingo cannot believe is a directorial debut from Celine Held and Logan George.
Madeline Sims-Fewer and Dusty Mancinelli’s Violation isn’t explicitly a horror film, but it’s grisly enough to be horror-adjacent.
In the latest installment of 31 Days of Horror, author and academic Lindsay Hallam shares 5 films that made her love horror.
Feels Good Man is an incredibly thorough and engaging look at how benign symbols and icons are co-opted and used in radicalization efforts.
Sachin Hingoo sat down with Ian “Vampiro” Hodgkinson and director Michael Pazst to talk about their film Nail In The Coffin: The Rise & Fall of Vampiro.
Who Goes There? was shortlisted for a Student BAFTA Award this year, and its precise execution is a good reason why.
Crazy Samurai Musashi is a relentless, real-time war, and whether it’s a movie, an athletic endeavour, a spectacle, or some of it’s one of 2020’s best surprises.
In The Columnist, Kaja Herbers portrays a woman who is done with being told to turn off her phone and walk away from the comments and grabs her agency back with both blood-stained hands.
For the first time, the Fantasia Film Festival will be accessible to almost anyone (in Canada) from home!
Projects like Alexandra Serio’s Tingle Monsters are a reason why Final Girls and other festivals that specifically give women and non-binary filmmakers a platform are so important.
Carlo Mirabella-Davis’s thriller Swallow is a twisted cake that never feels regurgitated from other genre projects
We may only be a few weeks into 2020, but festival season starts early here at Biff Bam Pop! with the fifth edition of the Final Girls Film Festival in Berlin