Review: Virginia Abramovich’s ‘Between Waves’ Spans Dimensions
In the new Canadian film Between Waves, from filmmaker Virginia Abramovich, both the emotions and the intentions of the people moving between worlds are quite untidy.
In the new Canadian film Between Waves, from filmmaker Virginia Abramovich, both the emotions and the intentions of the people moving between worlds are quite untidy.
2001 meets JFK meets We3 in Primordial, a frighteningly revisionist history, sci-fi miniseries.
In Antoine Fuqua’s The Guilty, Jake Gyllenhaal presents a layered character whose inner turmoil bleeds into his duty and desire to help a desperate family, and in doing so, perhaps redeem himself.
This week’s edition of The Week in Horror has alligator antics, crazy chestnuts, The Undtertaker, and more!
When either set of credits roll on Julia Ducournau’s Titane, the most likely feeling you’ll have is a kind of delicious whiplash, or disorientation. You may not know what you’re in for, or what you’ve just witnessed, but you’ll likely be certain that you’ve seen something special.
Mazebook is a labyrinthian story of love and loss and the search for peace, full of emotion and human truth.
Shannon Spurill, wrestling’s Daffney Unger, passed away this week and it was indicative of an industry that needs to change.
You already know what we’re going to recommend, don’t you? Don’t you?
This week’s horror news covers stuff from TV (Yellowjackets), a movie that scared the pants off an audience at CinemaCon last week (The Black Phone), not one but two home invasion flicks, and…CRABS?!
Hannah Marks’ ‘Mark and Mary and Some Other People’ Gets It All Wrong
In Samantha Aldana’s ‘Shapeless’, Ivy knows her secret is destroying her, but she’s so good at keeping it. There’s always another snack to eat, and always another man to screw, as she and her body continue to betray each other.
Violent, grotesque, and dialogue-free, Phil Tippett’s ‘Mad God’ is the crowning achievement of a prolific career in visual effects.