BBP’s Dorianne got to join the TIFF action (literally) this year with two selections from the tail end of the Festival. Check out her thoughts on the final Midnight Madness … Continue reading TIFF 2026: ‘Rogue Trooper’ and ‘Spirit Guardians: The Last Secret of the First Emperor’
Tribeca 2023: Sacha Polak’s ‘Silver Haze’ is messy, and it’s lovely: it’s working class London and it works as a film.
Tribeca 2023: Guto Parente’s ‘A Strange Path’ is tense, and almost too real.
Tribeca 2023: Sav Rodgers’ ‘Chasing Chasing Amy’, a documentary by a queer filmmaker about Kevin Smith’s Chasing Amy, is unexpectedly compelling.
Dorianne Emmerton reviews some of the horror shorts at the Blood in the Snow Film Festival
In Rodrigo Gudino’s ‘The Breach’, the landscape is beautiful, the actors are attractive, the horror is cosmic, and the special effects are gruesome.
In the latest installment of The Performances That Make us Scream, Dorianne Emmerton looks at the phenomenal work of Morfydd Clark in Saint Maud.
In the new Canadian film Between Waves, from filmmaker Virginia Abramovich, both the emotions and the intentions of the people moving between worlds are quite untidy.
Hannah Marks’ ‘Mark and Mary and Some Other People’ Gets It All Wrong
In Samantha Aldana’s ‘Shapeless’, Ivy knows her secret is destroying her, but she’s so good at keeping it. There’s always another snack to eat, and always another man to screw, as she and her body continue to betray each other.
‘False Positive’ has things to say about patriarchy, sure; but it also has something stark to say about the racism of affluent white liberals.
Andrew Gaynord’s ‘All My Friends Hate Me’ has the allure of relatable anxiety.
