An official selection of the Blood in the Snow festival, Tomas Street’s ‘Fugue’ is a twist-filled mystery where the truth is difficult to ascertain.
Alive’s success or failure (I’d say it’s the former) hinges on the performances of its three leads.
Luca Guadagnino’s reimagining of ‘Suspiria’ oozes love for the original, expanding on its themes and creating a film thoughtful and gorgeous.
In ‘Rise of the Deadman,’ Chad Dundas has encapsulated the Undertaker’s 28-year-long story arc and the result is the perfect Halloween treat for WWE fans.
While its graphic nature is already the stuff of legend, there’s more to Isabella Eklov’s clinical and terrifying first feature, ‘Holiday,’ than that one scene.
‘I’ll Take Your Dead,’ a Toronto After Dark Film Festival entrant, brings three seemingly disparate genres together by presenting powerhouse performances.
BHFF selection ‘Empathy, Inc.’ overcomes its budget limitation by focusing on character to tell its virtual reality horror story.
One of the most exciting new genre festivals in the US, the Brooklyn Horror Festival, is coming up and is definitely worth your time.
Can Evrenol is nothing if not a student of the horror game, and his new film Housewife plays out like a highlight reel of his influences.
There’s a buffet of evil, laced with some extremely sweet dance moves, to feast on in Gaspar Noe’s latest, Climax.
The 2018 TIFF selection, ‘Endzeit,’ presents a decidedly feminist viewpoint towards the inevitable zombie holocaust and a unique visual style.
Sometimes, you want something completely innovative, a concept that you could never conceive of on your own. But other times, and What Keeps You Alive is one of these times, you want a classic concept that is executed at the highest level.