Andy Mitton’s The Harbinger captures COVID and pandemic life in a portrait of two nightmare-plagued friends.
Too much grinding detracts from the fun factor in the 2D-sidescroller, “Lost Epic.” Check out Wade Stokan’s review to learn more!
Ryan Coogler’s Black Panther: Wakanda Forever takes on the difficult task of mourning the franchise’s star, driving the Black Panther arc forward, and delivering a message about colonialism.
Uncle Highlander describes the newest comic series from Mark Russell and Roberto Meli, “Traveling to Mars,” as “hilarious social satire.”
What Brett Morgen’s Bowie-bio Moonage Daydream achieves is to display, celebrate, and most importantly to understand the many ways that the world fascinated Bowie and vice versa.
The fifth studio album by British alternative rock stalwarts saw the Charlatans UK find their greatest commercial success amidst one of the group’s greatest personal losses.
Wade Stokan has some control issues with the new gamepad support features in the RTS/RPG hybrid, ‘Spellforce III Reforced.’
Until The Wheels Come Off is a fresh look at one of the most taxing long-distance competitions on the planet, the athletic endeavour of long-distance cycling, and more importantly, is the story of how the relationships we build can carry us to lengths that even we didn’t think we could achieve.
In Antoine Fuqua’s The Guilty, Jake Gyllenhaal presents a layered character whose inner turmoil bleeds into his duty and desire to help a desperate family, and in doing so, perhaps redeem himself.
‘False Positive’ has things to say about patriarchy, sure; but it also has something stark to say about the racism of affluent white liberals.
In See For Me, Randall Okita and Skyler Davenport have managed to put a fresh face on the home invasion thriller, and have made a great stride for representation while doing so.
Writer-director Rose Glass’s Saint Maud is a remarkable effort and hopefully, a star-making project for all involved.