Category Archives: review
Mohawk is the story of a woman from the Mohawk nation, named Oak, taking on a platoon of American soldiers after they murder everyone she holds dear during the War of 1812. Shot on location in Syracuse, New York with actual members of the Mohawk tribe, the film is a bloody, deep dive into one of the many corners of American history we tend to gloss over in school. Read the rest of this entry
This week’s episode of The Alienist, “These Bloody Thoughts,” opens with a tense scene between Dr. Kreizler and a former patient (Mrs. Williams), a woman who reveals herself as a BDSM practitioner, although she doesn’t use those terms. She obviously relishes the control she has over Kreizler, who becomes increasingly fidgety as their conversation continues. What’s intriguing is how Kreizler then exerts control over both John and Sara in their subsequent interactions.
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Nicolas Cage is having quite the year. It’s only the beginning of February and he’s already had a lot of buzz: There is the high energy, pitch-black comedy about parents trying to kill their children which hit theatres in January (Mom & Dad), one of the best reviewed films at Sundance (Mandy), and a film festival dedicated to him in Glasgow.
Sadly, the least exciting thing about 2018 so far for Cage is Looking Glass, a thriller directed by Tim Hunter, a prolific TV director who also directed the 1986 Crispin Glover/Keanu Reeves film River’s Edge. Read the rest of this entry
Directed by Christopher Lawrence Chapman, 2017’s Inoperable stars Danielle Harris (Halloween 4 and 5) as a traffic accident victim who wakes up in a seemingly abandoned hospital, during a category 5 hurricane in Tampa, Florida. Dark forces have been awakened within the hospital by the hurricane and Harris’ character must find a way out before the hurricane ends or be trapped forever. Read the rest of this entry
“It’s not a remake. It’s not a sequel. And it’s not based on a Japanese one,” claimed the original poster for Adam Green’s 2006 horror comedy Hatchet. The movie revived the fun and gore of the best 1980s slasher films brilliantly and spawned two wildly bloody sequels. Hatchet III dropped in 2013 and since then everything in Honey Island Swamp has been quiet.
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This week’s episode of The Alienist (“Silver Smile”) explores more of the class distinctions and police corruption that are integral to Caleb Carr’s novel. It also presents versions of the characters that are markedly different from the ones in the novel, albeit in a rather intriguing way. Read the rest of this entry
While the crime procedural has existed on television since the 1951 premiere of Dragnet, the series that arguably set the tone was Law & Order, which began in 1990 and remained on the air for 20 years, spawning five spin-offs and countless impersonators. Just a few years after that series started, writer Caleb Carr would find enormous success with his historical crime procedural, The Alienist.
What makes The Alienist unique is the way it plays with the timeline, reaching about 200 years beyond its 1994 publication date. Blending fact (Teddy Roosevelt’s history as the Police Commissioner of New York City) and fiction (a series of horrific murders of child prostitutes), The Alienist provokes an odd sense of déjà vu for fans of Netflix’s Mindhunter and those who’ve followed Thomas Harris’ Hannibal novels (as well as the movies and TV shows spawned from that universe).
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The documentary D.O.A. was filmed almost guerrilla style, funded by High Times magazine, with director Lech Kowalski following the Sex Pistols on the doomed 1978 tour of America. The band didn’t want him there, Johnny Rotten was suspicious of High Times, and as it runes out, the Pistols would fall apart after just seven gigs. Despite all that, Kowalski captured an important moment in rock history and peppered it with a few other notable acts.
Welcome once again to the home office here in snowy Cobourg, Ontario as I bring you another edition of Heroes and Villains! This week I’m going to take a long look at the first two volumes of Marvel’s X-Men: Blue series. Ready? Let’s talk comics!
X-Men: Blue, Volume 1 & 2
Writer: Cullen Bunn; Artists: Jorge Molina, Julian Lopez, Cory Smith and several others
If I am a Marvel guy first, then I am an X-Men guy second. I’ve dabbled with Avengers, the FF and Spidey, but I enrolled at the Xavier School for Gifted Youngsters back during the Chris Claremont days and although I have a skipped a few semesters, my attendance record is pretty good. Until lately that is.
After the “San-Francisco era” of the X-Men came to a close and the Schism event divided the team into two camps, my interest in the world of X slowly faded. Combined with some concepts that I wasn’t that into like the rise of the Inhumans, the death of Wolverine and the launch of All New X-Men by Brian Bendis it just didn’t seem like my bag. To be fair, I never gave the all-new concept a chance. I didn’t want to see past versions of the original five X-Men running around in the modern Marvel universe. Why would I? Jean was dead (again), Cyclops was a much more interesting character leading his mutant revolution, Angel was coming off a resurrection/rebirth thing and Beast and Iceman had both gone through enough character growth that they were compelling characters. What did I want with teenage versions of these characters?
So I didn’t read it. I did know roughly what was going on by reading some other core X-titles, but I still didn’t dig it. How much time travel and alternate future/history stuff can a series take before it becomes a parody of itself? In the case of the X-Men it seemed like there was no end in sight, so I quit altogether.
With another round of relaunched, all new, all different, Marvel Now, etc. series on the way, I was excited to see the Blue and Gold concepts back out there. The Gold team would be the Claremont lineup of Kitty Pryde, Storm, Colossus, Nightcrawler, Wolverine (Old Man Logan) and Rachel Summers. The Blue squad was the original five, with the twist being that Jean Grey is now team leader. Also, Angel has fire wings for some reason. My intention was to pick up the Gold trades, as I like that team and my daughter is a huge Kitty Pryde fan. However, when I went trade hunting at BMV, there was no Gold to be had, just the first two editions of Blue. And, since I wasn’t leaving with no X-Men comics I decided to give them a chance.
Volume 1: Strangest
I was into this book at the get-go. The costume designs have a throw back to the original X-Factor uniforms and the first artist, Jorge Molina, has a nice style that captured the youthful look of these young X-Men. I was willing to overlook the battle with Black Tom and Juggernaut, even though it was pretty played out and Black Tom was dead last time I checked, because it was done well and the first issue payed off with the reveal that it was Magneto that had brought this team together.
It was here, however, that the parallel universe shenanigans kicked into gear with the introduction of Ultimate Wolverine to the team. Ultimate Wolverine in this case being James Hudson, the blonde son of the original ultimate Wolverine. This brings the marvel universe “Wolverine” total to 4, with Dark Wolverine, All-New Wolverine (X-23) and Old Man Logan already in circulation.
That wouldn’t have been that bad, but from there we also got the all new Marauders, who were, of course, parallel universe versions of Quicksilver and some D-List x-characters brought together by a sexy, lady Mr. Sinister named, sigh, Mrs. Sinister. If it sounds like to much to read in my review, imagine how it felt in the book.
All that said, I wasn’t as turned off by the above as I expected to be. Molina’s art is excellent, the script is good and I do like the X-Men, so I rolled with it. Not my favorite X-Men title to be sure, but I’ve read much worse.
Unfortunately, Jorge Molina left after issue 3 and Volume 2 had to take a detour into that most dark and all-encompassing of Marvel destinations: the company-wide cross-over event.
Volume 2: Toil and Trouble
So I gather there was this Secret Empire thing with an evil Captain America that some folks out there didn’t really cotton to. I haven’t read it, so I don’t know if the concept itself worked out, but holy smokes is it a pain being tossed into one of these things while reading one book and not all the books. Emma Frost, Havok and a very dapper suit-wearing Xorn (???) are bad guys with their own mutant island that evil Steve Rogers gave them. They have a bunch of X-People on their side, all with fancy new powers, and Magneto has a truce with Rogers to protect his young X-team. Okay, sure, but… huh? Hey, there’s Polaris! And the X-Jet was really Danger the living danger room lady all along because of course. The art through this story was pretty rough, as was having no earthly idea what was going on. Why is Wolfsbane a bad guy that can split herself into tiny wolves? Why is Xorn wearing a suit and cape? Why does Emma want to reprogram young Cyclops to think he is old Cyclops? He’s 17; isn’t that kinda creepy? Weak stuff all around. Especially if you are a fan of Emma Frost or someone who liked the Xorn reveal left as it was back in New X-Men by Grant Morrison and never got into the Danger character in the first place.
From here, we go full tilt parallel universe shenanigans as Madeline Pryor (really???) does magic things to Beast and makes an evil team of alternate Colossus, Storm, Pixie and Nightcrawler battle the X-Men. Ugh.
The Storm in question, Bloodstorm (who first appeared in the oh-so 1990s Mutant X series) is a vampire Storm that kinda doesn’t want to be bad and ends up helping. So, of course, they put her on the team.
Okay, so I pride myself in not being that comic book guy that complains about stuff. We all get to have our favourite era and we have the right to like or not like others as we choose, but this series just feels like the well has run dry. It’s like X-Men comics are the air on a non-stop flight to Australia and back, recycled to the point where it’s just not good anymore. I mean, yeah, I’m breathing, but that’s about it.
If you are to believe the internets, there was, prior to the FOX deal, an official edict at Marvel stating that X-Men writers could not create any new characters as they would be rolled into the FOX cinematic canon and that made Mickey the Mouse sad. Is this comic a victim of that? Is this what happens when you aren’t allowed to have new ideas? It kinda feels that way.
There are things to like here and I absolutely think that Cullen Bunn has done well with what he has on hand, but between inconsistent art (seven different artists over 12 issues), getting sucked into the Secret Empire event and non-stop parallel universe shenanigans X-Men: Blue left me feeling just that, blue.
Til next semester, cheers.
With a holiday season as cold as this one has been, a trip to the movies with my family was a perfect way to spend an afternoon. Here in the town of Cobourg, Ontario, we have a better than average Rainbow Cinema. The screens aren’t huge, the seats don’t recline and the sound doesn’t make your eyes bleed, but the popcorn is fresh, the lines are short and the pre-show and trailers clock in at five minutes max. Overall, its a perfect place for my wife and I to take our two kids (boy, 6 and girl, 9) to enjoy a movie that doesn’t require 3D, IMAX or any other ballyhoo to be enjoyed.
I wasn’t sure what to expect from this new, updated Jumanji flick, but it did have a few things going for it right off the top. First, The Rock (sorry, Dwayne Johnson). I’m a mark and thus far, with the possible exception of Doom, I have yet to not enjoy a movie that he was in. Second, Jack Black. I haven’t seen all his movies, but School of Rock will always have a spot on my shelf. And, third, Karen Gillan. Karen and I go way back to her days as Amy Pond, so seeing her get a second big Hollywood gig after Guardians of the Galaxy is a treat. I couldn’t tell you anything about the director and I’d only seen a few trailers, so stars aside, my expectations were measured to say the least.
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