Review: ‘What Lies Below’ Is A Wicked Thriller With A Fishy Twist
What Lies Below is a horror-thriller that pulls you along in its wake despite the fact that some parts of the plot dissolve like salt in water.
Category: review
Review: TALES OF THE UNCANNY is a Deep Dive Into the Horror Anthology Film
Tales of the Uncanny is a deep dive into the horror anthology and the definitive word on the subject.
31 Days of (sort of) Horror: Logan George and Celine Held’s TOPSIDE Is A Stirring Debut
Topside is a grim but intimately-observed gem, one that Sachin Hingo cannot believe is a directorial debut from Celine Held and Logan George.
31 Days Of Horror 2020 – In VIOLATION, Revenge Is A Dish Best Served Cold
Madeline Sims-Fewer and Dusty Mancinelli’s Violation isn’t explicitly a horror film, but it’s grisly enough to be horror-adjacent.
31 Days of Horror: Fantasia 2020 Review – The Curse of Audrey Earnshaw
The Curse of Audrey Earnshaw is an enchanting witch tale that doesn’t quite offer enough of a direction to pay off its intriguing groundwork.
Fantasia 2020 Review: Amelia Moses’ BLEED WITH ME
In Amelia Moses’ feature debut, Bleed With Me, big-time scares are traded for much more nuanced prods at her viewers’ comfort levels.
Viceland’s DARK SIDE OF THE RING: BENOIT Speaks About The Unspeakable
Dark Side of the Ring is hard to watch and will almost certainly leave you angry, confused, and heartbroken, but starts a necessary conversation about what led to, and resulted from, Chris Benoit’s unspeakable act.
In The Game: Zombie Army 4 Delivers Undead Thrills and X-Ray Kills
Zombie Army 4 is a great package that is worth your time and money if you’re at all into this sort of thing.
Review: Elisabeth Moss Is Electric In ‘The Invisible Man’
Elisabeth Moss turns in a career-best performance in Leah Whannell’s The Invisible Man.
In The Game – Triangle Studios’ ‘It Came from Space And Ate Our Brains’
It came from space and ate our brains packs a lot into a small, affordable package.
Final Girls Film Festival Review – Alexandra Serio’s ‘Tingle Monsters’
Projects like Alexandra Serio’s Tingle Monsters are a reason why Final Girls and other festivals that specifically give women and non-binary filmmakers a platform are so important.
Final Girls Film Festival – ‘Swallow’ Review: Revolution Comes From Within
Carlo Mirabella-Davis’s thriller Swallow is a twisted cake that never feels regurgitated from other genre projects