Guest contributor and concert photographer Julie Finley describes her experiences at a recent Bacon Brothers show in Ohio.
Despite a couple of strong performances, ‘Angelique’s Isle’ buries an essential true Canadian story under flashbacks and supernatural elements.
‘The Peanut Butter Falcon’ is a fantastical story of determination, friendship, and pro wrestling.
‘Villains’ allows four underrated actors to play a game of cat-and-mouse in a thriller with a surprising amount of heart.
‘Homewrecker’ draws a horrifying picture of what happens between two women when common courtesy overrides obvious behavioral red flags.
‘The Wretched,’ an official Fantasia 2019 selection, is an evocative film, unafraid to wave its witchiness in the viewer’s face.
‘Kids of the Black Hole,’ the new punksploitation horror anthology from St. Rooster Press, is an obscene finger gesture in a world of pageant waves.
With the entire anthology series being relaunched by Riverdale Avenue Press, this is a great time to read ‘Borderlands Volume One.’
‘Blood on Black Wax’ wears its love for horror soundtracks on its cover, and the variety of albums within the book will surely please spooky music fans.
A look at how private interests are taking over American politics, ‘The Corporate Coup D’État’ makes its Canadian debut at Hot Docs 2019 in Toronto, Canada.
‘Teen Movie Hell’ is an encyclopedic look at the sub-genre of teen sex comedies from the 60s to its apex in the 80s and 90s.
The violent Brazilian satire, ‘The Cannibal Club,’ keeps viewers entertained with a clever story, graphic sex and gore, and a wonderful visual aesthetic.