This week’s edition of The Week In Horror has the first details about a couple of very cool film fests!
Topside is a grim but intimately-observed gem, one that Sachin Hingo cannot believe is a directorial debut from Celine Held and Logan George.
Madeline Sims-Fewer and Dusty Mancinelli’s Violation isn’t explicitly a horror film, but it’s grisly enough to be horror-adjacent.
Feels Good Man is an incredibly thorough and engaging look at how benign symbols and icons are co-opted and used in radicalization efforts.
Who Goes There? was shortlisted for a Student BAFTA Award this year, and its precise execution is a good reason why.
Crazy Samurai Musashi is a relentless, real-time war, and whether it’s a movie, an athletic endeavour, a spectacle, or some of it’s one of 2020’s best surprises.
In The Columnist, Kaja Herbers portrays a woman who is done with being told to turn off her phone and walk away from the comments and grabs her agency back with both blood-stained hands.
For the first time, the Fantasia Film Festival will be accessible to almost anyone (in Canada) from home!
Projects like Alexandra Serio’s Tingle Monsters are a reason why Final Girls and other festivals that specifically give women and non-binary filmmakers a platform are so important.
Carlo Mirabella-Davis’s thriller Swallow is a twisted cake that never feels regurgitated from other genre projects
We may only be a few weeks into 2020, but festival season starts early here at Biff Bam Pop! with the fifth edition of the Final Girls Film Festival in Berlin
Just in time for the first snowfall of the season, the Blood In The Snow Film Festival presents the lineup for their annual showcase of horror and science fiction films