Bruce LaBruce’s ‘Saint Narcisse’is a compelling and provocative story, and has style for days along with one hell of a climax.
We all hold strange and unseen connection to one another – none more so than what the internet and this digital age will eventually reveal!
A24’s ‘The Tragedy of Macbeth’ boasts one of the most stunning trailers I’ve seen this year.
Jean Luc Herbulot’s ‘Saloum’ is a story that feels both big (as in continent-spanning) and small (as in deeply personal) that can be compared to ‘From Dusk Till Dawn’ or ‘Predator’, but feels entirely unique.
Yeon Sang-Ho’s Hellbound presents a world where the line between Hell and Earth is paper thin, and the threat of being damned is real.
In the new Canadian film Between Waves, from filmmaker Virginia Abramovich, both the emotions and the intentions of the people moving between worlds are quite untidy.
2001 meets JFK meets We3 in Primordial, a frighteningly revisionist history, sci-fi miniseries.
In Antoine Fuqua’s The Guilty, Jake Gyllenhaal presents a layered character whose inner turmoil bleeds into his duty and desire to help a desperate family, and in doing so, perhaps redeem himself.
This week’s edition of The Week in Horror has alligator antics, crazy chestnuts, The Undtertaker, and more!
When either set of credits roll on Julia Ducournau’s Titane, the most likely feeling you’ll have is a kind of delicious whiplash, or disorientation. You may not know what you’re in for, or what you’ve just witnessed, but you’ll likely be certain that you’ve seen something special.
Mazebook is a labyrinthian story of love and loss and the search for peace, full of emotion and human truth.
Shannon Spurill, wrestling’s Daffney Unger, passed away this week and it was indicative of an industry that needs to change.