Soldier of Cinema’s Robert A. Mitchell’s Scene That Shook Me is from 1983’s nuclear apocalypse TV movie, ‘The Day After’ on ABC.
Sachin Hingoo’s ‘Scene That Shook Me’ for 31 Days of Horror is from Alex Aja’s ‘Haute Tension’ (aka ‘High Tension’, aka ‘Switchblade Romance’)
This spooky season, what could possibly be more frightening than visiting…or revisiting…muah-ha-ha!…the freed denizens of Gotham City’s most notorious asylum?
The Week in Horror kicks off October with news about the new Munsters, The Last of Us, and Syfy’s Day of the Dead!
Frostpunk: Complete Collection gives you complete control over rebuilding a civilization torn apart by an ice age.
The greatest era of paperback cover images is brought to glorious life along with fond remembrance in The Art of Pulp Fiction: An Illustrated History of Vintage Fiction.
It’s been a minute, what with all the Film Festival’in we’ve been doing around here, but The Week in Horror is back with news about V/H/S/94, the new Let The Right One In series, and a whole lot more!
Bruce LaBruce’s ‘Saint Narcisse’is a compelling and provocative story, and has style for days along with one hell of a climax.
We all hold strange and unseen connection to one another – none more so than what the internet and this digital age will eventually reveal!
A24’s ‘The Tragedy of Macbeth’ boasts one of the most stunning trailers I’ve seen this year.
Jean Luc Herbulot’s ‘Saloum’ is a story that feels both big (as in continent-spanning) and small (as in deeply personal) that can be compared to ‘From Dusk Till Dawn’ or ‘Predator’, but feels entirely unique.
Yeon Sang-Ho’s Hellbound presents a world where the line between Hell and Earth is paper thin, and the threat of being damned is real.
