Tribeca Film Festival 2022: Travis Stevens’ ‘A Wounded Fawn’ Brings the Vengeance of the Furies
Travis Stevens’ A Wounded Fawn plays a bit like Fresh by way of Peter Strickland at first, but it quickly becomes it’s own deliciously deranged thing.
Travis Stevens’ A Wounded Fawn plays a bit like Fresh by way of Peter Strickland at first, but it quickly becomes it’s own deliciously deranged thing.
Veronique Jadin’s Employee of the Month is a sharp-witted dark comedy about the systemic sexism in corporate life, and the world in general.
Hannah Marks’ ‘Mark and Mary and Some Other People’ Gets It All Wrong
In Samantha Aldana’s ‘Shapeless’, Ivy knows her secret is destroying her, but she’s so good at keeping it. There’s always another snack to eat, and always another man to screw, as she and her body continue to betray each other.
‘False Positive’ has things to say about patriarchy, sure; but it also has something stark to say about the racism of affluent white liberals.
Andrew Gaynord’s ‘All My Friends Hate Me’ has the allure of relatable anxiety.
Reviews of short films ‘David’ and ‘Liza Anonymous’ from Dorianne Emmerton (@headonist) at the 2021 Tribeca Film Festival!
In See For Me, Randall Okita and Skyler Davenport have managed to put a fresh face on the home invasion thriller, and have made a great stride for representation while doing so.
Discriminator is a compelling, interactive documentary about the rapid advancement and insidious implications of facial recognition software.
This week, I’ve got news about that, a new trailer for Thai horror The Medium, exciting news about Macon Blair’s Toxic Avenger reboot, and much more in The Week In Horror!
#FilmFestSummer is starting to get underway and The Week in Horror has some details about the horror selections from the Tribeca Film Festival, which kicks off pretty soon.