Violent, grotesque, and dialogue-free, Phil Tippett’s ‘Mad God’ is the crowning achievement of a prolific career in visual effects.
While all of Richard E. Bates Jr.’s other projects feature, in some way, a journey of reflection and self-actualization, King Knight may be the first to really achieve it.
This week’s edition of The Week In Horror has the first details about a couple of very cool film fests!
Feels Good Man is an incredibly thorough and engaging look at how benign symbols and icons are co-opted and used in radicalization efforts.
In Amelia Moses’ feature debut, Bleed With Me, big-time scares are traded for much more nuanced prods at her viewers’ comfort levels.
Who Goes There? was shortlisted for a Student BAFTA Award this year, and its precise execution is a good reason why.
In The Columnist, Kaja Herbers portrays a woman who is done with being told to turn off her phone and walk away from the comments and grabs her agency back with both blood-stained hands.
For the first time, the Fantasia Film Festival will be accessible to almost anyone (in Canada) from home!
Sachin Hingoo and Jeffery X Martin run down the movies they’re most excited about from this year’s Fantasia International Film Festival.