What Lies Below is a horror-thriller that pulls you along in its wake despite the fact that some parts of the plot dissolve like salt in water.
Tales of the Uncanny is a deep dive into the horror anthology and the definitive word on the subject.
Sophia Loren shines alongside newcomer in Ibrahima Gueye the Netflix film, The Life Ahead.
‘Shawn Mendes: In Wonder’ is the new Netflix documentary covering Shawn Mendes’ 2019 world tour, the recording of his upcoming album Wonder and the physical and emotional toll of his rise to stardom
Marie Gilbert looks at Gemini Man, the latest film from one of her favourite directors, Ang Lee.
Topside is a grim but intimately-observed gem, one that Sachin Hingo cannot believe is a directorial debut from Celine Held and Logan George.
Marie Gilbert says that while The Laundromat is a heavy topic, director Steven Soderbergh gives us the truth in a most enjoyable way.
The Curse of Audrey Earnshaw is an enchanting witch tale that doesn’t quite offer enough of a direction to pay off its intriguing groundwork.
Feels Good Man is an incredibly thorough and engaging look at how benign symbols and icons are co-opted and used in radicalization efforts.
The Way I See It is an excellent portrayal of a time, place, and man the likes of whom we might not see again.
In Amelia Moses’ feature debut, Bleed With Me, big-time scares are traded for much more nuanced prods at her viewers’ comfort levels.
The New Mutants is a superhero film that finds its success thanks to its uncanny mix of stellar performances and strong character development.