Gilbert Speaks on ‘Infrared’
Infrared offers a more personal journey into things that go numb in the night.
Category: movie review
Gilbert Speaks on the 2021 Film, Stanleyville
Marie Gilbert says director Maxwell McCabe-Lokos’ film Stanleyville is an unexpected joyride into madness.
Fantasia Film Festival 2022: Quentin Dupieux’s ‘Incredible But True’
Quentin Dupieux’s Incredible But True explores marital stagnation, time travel, and exploding penises.
Gilbert Speaks on Adam Christian Clark’s ‘Diary of a Spy’
Marie Gilbert says that Diary of a Spy from director Adam Christian Clark delivers plenty of suspense.
Gilbert Speaks on ‘Aftermath’
Aftermath is a superb thriller that keeps you on the edge of your seat.
Gilbert Speaks on The Bloody Man
With The Bloody Man, co-writer/director Daniel Benedict was able to bring together a real horror story with heart.
Gilbert Speaks on ‘A Town Full of Ghosts’
In A Town Full of Ghosts, Mark and Jena invest their entire life savings on an abandoned ghost town and get more than they bargained for.
Gilbert Speaks on “Only Lovers Left Alive”
While Only Lovers Left Alive has been out for some time, the film has captured the dark romantic soul of Marie Gilbert.
Review: David Cronenberg’s ‘Crimes of the Future’ is a Return to Twisted Form
David Cronenberg’s Crimes of the Future represents a return to the director’s twisted body horror form, an intersection and natural progression of the worlds built in Crash and Existenz, exploring intense body modification and the consumption of bodies for art.
Gilbert Speaks on Mark O’Brien’s Directorial Debut “The Righteous”
Who do you fear more…God or Satan? That is the question a former priest must ask himself in Mark O’Brien’s dark tale of penance and redemption in The Righteous.
Gilbert Speaks on Jon Binkowski’s ‘Scare Zone’
Marie Gilbert says that director Jon Binkowski’s Scare Zone delivers the frights.
Gilbert Speaks on Blake Ridder’s ‘Help’
In Blake Ridder’s film Help, Grace learns that a weekend at her friends, reveals a lot of deadly secrets.