Marie Gilbert looks at the new sci-fi film Solitary, set in 2044 during a global population explosion.
In the new Canadian film Between Waves, from filmmaker Virginia Abramovich, both the emotions and the intentions of the people moving between worlds are quite untidy.
Skater Girl is a beautiful film about a beautiful people, all of whom share the desire for freedom.
In Antoine Fuqua’s The Guilty, Jake Gyllenhaal presents a layered character whose inner turmoil bleeds into his duty and desire to help a desperate family, and in doing so, perhaps redeem himself.
Edgar Wright’s Last Night in Soho is a wild ride, a thrilling roller coaster of emotions that keeps you captivated with all of its permutations.
DASHCAM is the scariest film Andy Burns has seen this year, last year, and maybe even next year too.
Marie Gilbert looks at the 2017 film Lucky, featuring the final performance from the legendary Harry Dean Stanton.
Hannah Marks’ ‘Mark and Mary and Some Other People’ Gets It All Wrong
In Samantha Aldana’s ‘Shapeless’, Ivy knows her secret is destroying her, but she’s so good at keeping it. There’s always another snack to eat, and always another man to screw, as she and her body continue to betray each other.
‘False Positive’ has things to say about patriarchy, sure; but it also has something stark to say about the racism of affluent white liberals.
With its jokes and undeniable onscreen chemistry between its two leads, Disney’s Jungle Cruise is a refreshing throwback to adventure films of years past.
While all of Richard E. Bates Jr.’s other projects feature, in some way, a journey of reflection and self-actualization, King Knight may be the first to really achieve it.