Earwig is a surrealist body-horror treat that sits neatly alongside such classics as David Cronenberg’s Spider, David Lynch’s Eraserhead, and Luca Guadagnino’s Suspiria
Jean Luc Herbulot’s ‘Saloum’ is a story that feels both big (as in continent-spanning) and small (as in deeply personal) that can be compared to ‘From Dusk Till Dawn’ or ‘Predator’, but feels entirely unique.
In Antoine Fuqua’s The Guilty, Jake Gyllenhaal presents a layered character whose inner turmoil bleeds into his duty and desire to help a desperate family, and in doing so, perhaps redeem himself.
Edgar Wright’s Last Night in Soho is a wild ride, a thrilling roller coaster of emotions that keeps you captivated with all of its permutations.
DASHCAM is the scariest film Andy Burns has seen this year, last year, and maybe even next year too.
When either set of credits roll on Julia Ducournau’s Titane, the most likely feeling you’ll have is a kind of delicious whiplash, or disorientation. You may not know what you’re in for, or what you’ve just witnessed, but you’ll likely be certain that you’ve seen something special.