What if you could have everything your heart desired? There is only one little catch, you need to sew buttons into your eyes and be willing to lose your soul. On this 31 Days of Horror edition of Creations of Chaos, it’s one my favorite animated films, the disturbingly creepy, Coraline.
Artist John Bolton has had a long and storied career in comic books and sequential art. He made the jump from working in English magazines such as Warrior, to burgeoning American periodicals like Epic Illustrated, in the early 1980’s. He’s been working in and around the mainstream comic book industry ever since, as comfortable drawing superheroes as much as he is painting fairies, vampires and demons.
Drawn to the genres of fantasy and horror as both an illustrator and painter, Bolton has worked alongside some of the greatest writing names the comic book industry has known, including Chris Claremont on Marada The She Wolf and Black Dragon, both for publisher Epic Comics. With Neil Gaiman in The Books of Magic for DC Comics, he created the look of the reluctant boy-wizard, Timothy Hunter, based on his eldest son. His acclaimed graphic novel series, Shame, alongside writer Lovern Kindzierski, is where Bolton’s efforts most currently dwell, with the first three acts being recently complied into a single hardcover volume.
There’s a sense of wonder, amazement, power, and sexuality inherent in Bolton’s work, combined alongside an overt menace that makes a viewer full of trepidation. Even when his sense of horror is not manifest, nothing is ever as it seems in Bolton’s completed visual offerings.
On the eve of an infrequent visit to Toronto via the 2017 edition of Fan Expo Canada, JP Fallavollita caught up with John Bolton in an exclusive interview via email, and asked him about his process, his female-driven subject matter, and his recent work on Shame.
This time on Heroes and Villains, we’ll be looking at a variety of comics out this week and last, from a variety of genres. Meet me after the jump for my thoughts on Legion of Super-Heroes/Bugs Bunny #1, Dark Days: The Forge #1, Bill & Ted Save the Universe #1, Black Hammer #10, Victor LaValle’s Destroyer #2, Red Agent: The Human Order #8, Plastic #3, Kong of Skull Island #12, Empowered #10, Spencer & Locke #1-3, and Bug! The Adventures of Forager #1-2 from the Allreds… This is another loaded week, so who needs Secret Empires when we have so many other cool things to check out, be warned, there may be spoilers…
This time on Heroes and Villains, we’ll be looking at a variety of comics out this week and last, from a variety of genres. Meet me after the jump for my thoughts on Planet of the Apes/Green Lantern #5, Predator vs. Judge Dredd vs. Aliens #4, Bitch Planet Triple Feature #1, Kill the Minotaur #1, Space Riders: Galaxy of Brutality #2, American Gods #4, Harrow County #24, Geek-Girl #4, Sons of Anarchy: Redwood Original #11, Normandy Gold #1, the Savage Dragon: Warfare trade, and the new book on Reed Crandall from TwoMorrows… This is a loaded week, so who cares about Secret Empire when we have so many other cool things to check out, be warned, there may be spoilers…
“Ninety percent of everything is crud.” – Theodore Sturgeon
Greetings and welcome to another installment of The Ten Percent! Every two weeks (well, roughly), Ensley F. Guffey and I use this space to take a look at the inverse of Sturgeon’s Law; in other words, the small portion of everything which is not crud. Viewed as a whole, Sturgeon was, sadly, right – the vast majority of movies, television, writing, art, and so on really is crud (trust me on this, I just saw Baywatch for the movie show I co-host) – but there has always been that slim li’l piece of heaven. The Ten Percent crosses genre boundaries, mostly because these rare gems are high quality productions which demand more of their viewer than just passive reception.
In my last column, I discussed Neil Gaiman’s American Gods which, at the time, was just about to begin its run on the Starz network. I am currently caught up on episodes and am also avidly following the comic version. American Gods just makes me smile and the high quality of the work in multiple Media (hi, Gillian Anderson!) is a revelation of how magnificent storytelling can completely transcend genre. The show has already been renewed for a second season, which reassures me that they’ll take their time telling this convoluted tale.
Much of Gaiman’s work belongs in the Ten Percent.* The last column touched on his best-known work, Vertigo’s Sandman, and if you haven’t read that (slowly, thoughtfully, and with great deliberate intent), you have an amazing treat in store for you and I’m jealous that you get to experience the Endless for the first time. However, I wanted to bring your attention to several other works of Gaiman’s that you might not know about. Yes, he’s written for Babylon 5, Doctor Who, and several of his works have been adapted for the silver screen with more on the way. But why wait?
“Ninety percent of everything is crud.” – Theodore Sturgeon
Greetings and welcome to another installment of The Ten Percent! Every two weeks (well, roughly), Ensley F. Guffey and I use this space to take a look at the inverse of Sturgeon’s Law; in other words, the small portion of everything which is not crud. Viewed as a whole, Sturgeon was, sadly, right – the vast majority of movies, television, writing, art, and so on really is crud – but there has always been that slim slice of sublime. The Ten Percent isn’t limited by genre – I think our previous columns have proven that point – and that’s because these rare gems are high quality productions which demand more of their viewer than simple passive reception.
I have, on occasion, discussed an entry that makes the cut on The Ten Percent in more than one category, such as a book and the movie made from the book. It’s hard enough to create ONE fantastic thing; to create a Ten-Percent-worthy work in more than a single medium is truly catching lightning in a bottle.
Under the pen of award-winning author, Neil Gaiman, you know that those seemingly disparate elements will make for a compelling story.
Heck, if you’ve read any of his comic book stories, let along his novels, it sounds a lot like the stuff you probably have in your long box collection: The Sandman, Stardust, Miracleman and Death: The High Cost of Living.
But this time, we’re talking about his Hugo, Bram Stoker, Locus, World Fantasy and Nebula Award-winning novel, American Gods – which, finally, gets adapted into the comic book forum in a new monthly series from Dark Horse Comics.
And the writer and artists behind that adaptation are as star-powered as the author who penned the original prose.
Today sees the release of American Gods: Shadows #1!
Last week, we highlighted a number of trade paperback comic book collections, perfect gifts for friends and loved ones (or yourself) this holiday season.
If you haven’t already, you can check out that particular list right here.
But maybe you want to kick it up a notch this month.
Maybe you’ve got a special someone that really only likes hardcover books on the bookshelf. Or maybe you’re looking to find something that carries a slightly higher budget than softcover collections.
No worries. This week, we’ve got your back.
Here’s the second installment of our Holiday Gift Guide: Comic Book Collections!