Category Archives: 2018
So, maybe you’ve heard: Black Panther smashed the Hollywood box office last weekend with a take of $192 million.
That’s like, huge.
That’s bigger than Iron Man. That’s bigger than Captain America. That’s bigger than Avengers.
That’s like, HUGE.
And, for so many important reason, that’s great news for everyone who was part of the making of Black Panther and that’s great for everyone who went to see the film. (I haven’t gotten around to heading to the local theatre to see the film just yet, so I can guarantee that box office number is going to rise!)
But that news is also great for Marvel Comics – all Marvel Comics…especially the ones that somehow tie into this coming May’s Avengers: Infinity War film, the film that is the direct sequel to Black Panther in the Marvel Cinematic Universe.
And hey! It just so happens that Marvel Comics is publishing an Infinity-inspired product tie-in comic book today! Imagine that!
Setting aside my sense of consumerist nihilism for a moment, Infinity Countdown Prime #1, a one-shot prequel to a new miniseries out next month, does sound like a lot of fun!
From those poly-bagged Marvel Comics and DC Comics two-for-one deals found on the local department store magazine rack, I deftly moved to the direct-market comic book store and all they had to offer.
It was there that I came across periodicals that featured sample chapters, biographies, focus articles and interviews with some of the writers and artists that I was just discovering – and growing to love. More than just monthly Batman comics, I was reading and adoring issues of The Comics Reader (1961-1984), Epic Illustrated (1980-1986) and The Comics Journal (1977-and still going, albeit online), full of tales of writers and artists and their influences, their work, and their craft.
Those sorts of industry and artistry periodicals have gone the way of most print zines, unfortunately – which is to say that they can now be found, somewhat fragmented, on online websites and blogs.
That twenty-first century paradigm is well and fine – but I do miss the hardcopy in-my-hand, comic book industry magazine, bought at the local comic book shop.
IDW Publishing looks to remedy that situation (along with distinctly twenty-first century tech) with the publication of the first hardcover volume of Full Bleed: The Comics & Culture Quarterly Volume 1
But it’s the music that emanates deep within Egbo-Egbo’s soul – his piano as a constant appendage, his jazz, classical and pop leanings and the constant intermingling and pushing of musical genres – that reveals the creative standard of the man. As a Toronto-based pianist, composer, producer and sound designer, 2018 marks the official release of his new musical work, appropriately titled A New Standard.
The twelve-song album contains a wide selection of entries originally created by a number of legendary composers over the last two centuries. They are, naturally for Egbo-Egbo, culled from disparate genres: classical, jazz, and curiously, even rock music. In A New Standard, Egbo-Egbo lovingly performs a fun and up-temp version of Sigmund Romberg’s and Oscar Hammerstein II’s “Softly, as in a Morning Sunrise,” as well as a rollicking account of John Coltrane’s “Mr. P.C.” that merges brilliantly into the classically jazzy and beloved theme song from the 1967 Spider-Man cartoon by composers Paul Webster and Robert Harris.
In a more contemporary sense, Egbo-Egbo’s rendition of Bob Dylan’s”Make You Feel My Love” brings a wonderfully fresh and emotional sense of affection to the beloved classic, but surprisingly, there’s also a perfectly lonely interpretation of Radiohead’s “Exit Music (For a Film)” found on the new compilation, whose aural sense of isolation any fan of the band might expect and adore. This time, it’s just with a piano.
Biff Bam Pop’s consulting editor and regular contributor, JP Fallavollita, got the chance to steal Thompson T. Egbo-Egbo away from his busy schedule to talk music, his home city of Toronto, and the release of his latest album, the shimmering and wonderful A New Standard. Read the rest of this entry
Not a whole heck of a lot, I know, but it’s enough to make you realize that although the days are getting slightly longer, it’s still only February. Winter is still calling the shots around here.
Speaking of “winter” and “shots”, DC Comics, who have been on a veritable tear recently with a number of fascinating publications (many of which have been featured in this column), is releasing a winter-themed one-shot.
It’s written and illustrated by a couple of comicdom’s favourites.
And it’s starring one of DC’s most beloved, and yet currently not-regularly-published, characters.
Really, all things considered, it’s a stroke of genius from the publisher.
Because winter snow must equal the Swamp Thing Winter Special #1!
A praised journalist and author.
A genre-defying and ground-breaking editor.
A host of luminously talented and beloved illustrators.
The launch of a new book publishing imprint.
Food, candles, samurai… and classic ghost stories.
That’s what’s on the menu today at local comic book shops everywhere today. It’s an event whose literary courses are sure to fill any reader’s appetite – from wonderful art to historical learning to spooky stories that keep you up at night.
Hungry Ghosts, co-written by Parts Unknown celebrity chef, Anthony Bourdain and novelist Joel Rose (The Blackest Bird, Kill Kill Faster Faster) is the first release from new publisher, Berger Books.
And it’s much anticipated. This is the book to dine on, with the (candle) light turned low!
Without debate, it has stood the test of time. We all know Frankenstein and the Frankenstein monster.
A comic book adaptation of that novel was undertaken by the legendary Gothic-horror artist, Bernie Wrightson, who was also responsible for co-creating everyone’s favourite muck monster, Swamp Thing for DC Comics in the early 1970s. It took nearly a decade for Wrightson to produce his exquisitely detailed drawings for that adaptation, which looked like metal etchings from the late nineteenth and early twentieth century. A perfect visual appeal for the corresponding text!
His Frankenstein was published by Marvel Comics to great acclaim in 1983 and remains a highly sought collector’s item.
In 2012, writer Steve Niles (30 Days of Night) and Wrightson began creating a much anticipated sequel to the original Shelley story.
Today, that sequel gets compiled for the first time as the Frankenstein Alive, Alive! Trio.
Experience The Cinematic Horror Of “Gene Colan’s The Tomb Of Dracula Artist’s Edition” On The Wednesday Run
They’re ever-lasting, it seems. Undying works of art that are discovered and re-discovered by generations that follow the witnesses to the original release.
The Tomb of Dracula, featuring everyone’ favourite undying vampire is one such publication.
Maybe you’ve heard of it?
You should have. We’ve featured The Tomb of Dracula on Biff Bam Pop! a number of times. The late, great, Glenn Walker gave a fantastic historic account of the 1970’s Marvel Comics monthly horror series a while back, which you can find right here. Site contributor, Jason Shayer, also shared his love for the title in a Tales From The Longbox column a few years ago.
More recently, I too brought up The Tomb of Dracula in one of BBP’s 31 Days of Horror (the October 2017 edition) features. You can find that piece here.
But it’s today’s release of the sumptuous and absolutely stunning Gene Colan’s the Tomb of Dracula Artist’s Edition that’s got everyone talking – so long as they can stop their mouths from watering!