Netflix kicks off #Defend week with a behind the scenes featurette of our favorite street-level heroes!
Marvel’s The Defenders which premieres globally on Netflix on August 18, 2017 at 12:01am PT follows Matt Murdock/Daredevil (Charlie Cox), Jessica Jones (Krysten Ritter), Luke Cage (Mike Colter) and Danny Rand/Iron Fist (Finn Jones), a quartet of singular heroes with one common goal – to save New York City. This is the story of four solitary figures, burdened with their own personal challenges, who realize they just might be stronger when teamed together.
Additional cast members include Academy-Award nominated actress Sigourney Weaver (Alexandra), Elodie Yung (Elektra), Scott Glenn (Stick), Deborah Ann Woll (Karen Page), Elden Henson (Foggy Nelson), Carrie-Anne Moss (Jeri Hogarth), Rachael Taylor (Trish Walker), Eka Darville (Malcolm Ducasse), Simone Missick (Misty Knight) and Jessica Henwick (Colleen Wing).
In case you missed the series trailer, here it is.
What are you looking forward to seeing on the first season of The Defenders?
For several years I had the ridiculous good luck to be a paid instructor of a museum-based Dungeons & Dragons summer camp program. One of the great accomplishments I had during this run, along with spending an entire week discussing zombie prevention, was helping to transform the typically awkward teenage boy group into a group of awkward teenage boys and girls. It wasn’t a quick process, and credit goes to the first girls that felt comfortable enough in their weirdness to join the group, but it happened.
Sure, Jack Kirby’s a revered artist, and he created some of the best known comic characters around. Captain America and the Avengers and the Inhumans and the X-men, Galactus and the Silver Surfer and Red Skull and Darkseid, Kirby had a major hand in the stories and look of the heroes and villains currently raking in millions upon millions for film franchises on both sides of the ‘verse divide. He’s a giant of a figure, as BBP continues celebrating a summer of Kirby at 100. But did you know Jack Kirby was a spy?
Spider-Man: Homecoming made an impact at the box office, bringing the wall-crawler back to critical and commercial glory following a series of missteps. Here’s what went down:
The first Marvel/Sony collaboration, Spider-Man: Homecoming brought in an estimated $118 million, which would make it the second highest debut for a Spider-Man film after Spider-Man 3’s $151.1 million back in 2007. That film, though, was a critical bust, while this newest one has received some of the best reviews for a superhero film.
I literally just walked out of it and I can tell you, I sat there with a grin on my face for nearly the entire run time. Tom Holland is great as Peter Parker, who skews younger here than in any other incarnation. Meanwhile, as The Vulture, Michael Keaton, is, alongside Alfred Molina’s Doctor Octopus in Spider-Man 2, one of the greatest incarnations of a villain in any Spidey film. Being a part of the Marvel Cinematic Universe allows for some great jokes and cameo performances from familiar faces, but this is still a film that rests on the shoulders of the main character, not to mention the young crop of actors that do help deliver the John Hughes vibe that had been mooted for Spider-Man: Homecoming. A win for everyone involved, along with fans.
Thwip! Pop culture’s favourite web-slinger returns to movie theaters this weekend, and is looking to right the wrongs of previous films. Will it be an amazing weekend? Here’s our prediction:
Following Tom Holland’s debut as Spider-Man in last year’s Captain America: Civil War, Sony and Marvel Studios bring the character to the Marvel Cinematic Universe for the first time with Spider-Man: Homecoming. Reviews have already been solid for this teen-centered film that supposedly play like a John Hughes movie with super-heroes, and Holland has a lot of good will coming his way thanks to his outstanding debut appearance beside the Avengers. Throw in Robert Downey’s Tony Stark in a supporting role, and Michael Keaton as the Vulture, and you’ve got a guaranteed number one at the box office. Look for Spider-Man: Homecoming to arrive with $120 million.
True Believers, no part of the Marvel Universe will be untouched when MARVEL LEGACY debuts this fall!
It’s truly a connection that spans the expansive Marvel Universe as we honor the past while embracing the present!
It all begins this September with MARVEL LEGACY #1, an over-sized 50-page one-shot special that sets the stage for a brand new future – and beyond!
By the time I was seriously collecting comic books in the mid-1980s, Jack Kirby’s return to Marvel was already history. Kirby had earlier defected from Marvel Comics to rival DC Comics where he created the New Gods Universe. The Powers That Be at DC Comics weren’t supportive of Kirby’s direction and he decided to return to Marvel. Sadly, his return was generally viewed as an unsuccessful one. One of the highlights of this return to Marvel was his run on Captain America, a title he and Stan Lee had taken to epic heights.
While attending French grade school, I had access to a library of French-language reprints of Marvel Comics of the 1970s. One of them was the treasury edition of Kirby’s Captain America Bicentennial Battles. These over-sized pages were the perfect way to display Kirby’s power-packed and dynamic art.
The mysterious Mr. Buda (later to be revealed to be the Elder of the Universe known as the Contemplator) sent Captain America on a time-traveling adventure through American history as part of their Bicentennial celebration. Yes, the dialogue is awkward and corny in places, but the visuals from Kirby are impressive. You can see that it’s the work of an artist in his declining years, but there’s still so much energy and passion in those panels. The scenes explode from the pages and sweep you up into the action. Barry Windsor-Smith, Herb Trimpe, and John Romita all embellished Kirby’s art for this stand-alone issue.
This treasury issue kicked off to Kirby’s run on Captain America, and continued into issue #193, entitled “The Mad-Bomb!”. Look at that cover, inked by the legendary John Romita.
And the interiors are no less dramatic with explosions, literally and figuratively, on every page. Each panel bursts with Kirby dots and the heavy, solid inks by Frank Giacoia. Even the quiet moments have an impactful presence. This issue was one of the comic books I had amassed during my pre-collecting days, and was very memorable for the Kirby art and style as well as the cliffhanger ending that I wouldn’t see resolved for another 10 years!
This storyline, which run until issue #200, pit Cap and the Falcon against an order of extremely wealthy Americans trying to establish a new aristocracy and crush the freedoms of the lower social order. Cap and Falcon’s adventures continued for another year as they encountered colourful characters like Texas Jack, Brother Inquisitor, Primus, and threats like Argon the Unburied One, Doughboy, and Hector Santiago “The Swine”. Kirby’s run also introduced Arnim Zola, the mad Nazi scientist, who heralded the return of his master, the Red Skull.
The only other issue of Kirby’s Captain America run that I had in my pre-collecting days was #213. This two-part story (concluding in #214) was an amazing bookend to Kirby’s run. #213’s cliffhanger ending drove me as crazy as the one in #193 did. Take a moment to really take in the cover copy of #213. “Only Marvel would dare it! Blinded, Hospitalized, Cap fights his deadliest battle!” “He strikes! He kills! He can’t be stopped! The Night Flyer!”
Dan Green, famous for his work inking John Romita Jr’s Uncanny X-Men in the 1980s, inked Kirby’s pencils for #213 and you can really see the difference. Mike Royer’s inks flattered those thick, bold pencils, while Green’s work was more subtle and almost muted Kirby’s work.
Look at page #12 that introduced the Night Flyer. The stoic figure is holding a sophisticated Kirby communication device, but his presence exudes a confidence and an authority. The heavy inks across his face, his mask, all contribute to that awe-inspiring feeling. “I can’t be stopped! I am the perfect man!”.
The Night Flyer spent the next 4 pages fighting his way through S.H.I.E.L.D. agents and the Falcon to assassinate his target. Turned out he was tricked, and despite being out-manned and out-gunned, the Night Flyer wasn’t ready to admit defeat: “I must find and eliminate my target! No one here can prevent it!!!” You’ve gotta love the captions that wrap up the issue. “Can he really do it??? Can one man defy and armed camp — and take it???” How many triple exclamation points and question marks can Kirby get away with using!
Did issue #214 live up to the hype?Yes, and no. It was Kirby’s last Cap issue and Mike Royer returned to ink it. While the Night Flyer battled the Falcon and a horde of S.H.I.E.L.D. agents, the injured Steve Rogers dramatically donned his familiar red, white, and blue costume and grabbed his shield to face off against the Night Flyer. In an odd turn of events, it’s a few S.H.I.E.L.D. agents who connect the dots and destroy the Night Flyer’s hang glider which was the source of his power. That dramatic build up is released without any real satisfaction as the Night Flyer is defeated.
Unfortunately, I felt that in many ways this story symbolically summarized Kirby’s run. Visually a treat, but the execution failed, and not for the lack of trying. He threw in all the right ingredients, the heroes, the threats, the situation, but couldn’t put it together in the right way. It’s an amazing run that captured the 70s Kirby energy and his wacky-ahead-of-his-time-ideas. The raw energy of Kirby’s work was spectacular, but it lacked the finish that his former partner, Stan Lee, often provided. Kirby’s storytelling was ambitious and had an unrelenting pace and action. His tales were filled with social and political commentary, featuring larger-than-life drama and characters, combined with quiet retrospective and introspective moments of real character building and growth.
His artistry was, and remains, so innovative and influential in the comic book zeitgeist that the industry named awards after him. Heck, they even named a visual image after him: the affectionately known, “Kirby Krackle.”
How pervasive is writer and artist Jack Kirby in pop culture?
You can scan the litany of comic book characters that the man created or co-created and you’d be certain to find dozens that are your favourites. From the globally renowned Captain America, Avengers, Fantastic Four and X-Men series of characters, to the populace’s burgeoning awareness of Darkseid and Black Panther, to the more niche creations of Kamandi, Etrigan the Demon and Destroyer Duck. With Kirby, the list of great characters goes on and on and on.
Without him, pop culture and comic books wouldn’t be at all what we know it to be today.
This August marks the 100th birthday of Jack Kirby and we here at Biff Bam Pop! mean to celebrate that auspicious centennial with a plethora of written accolades all summer long!
This is your cordial invitation to our #Kirby100 party!
I was so blown away by my first Marvel Legends action figure, Captain America to be precise, that I wrote a movie about it. Okay, so the figure was more of a McGuffin than a central aspect of the plot, but the point is I loved the thing. I should add, that while this may seem like a piece on a child’s nostalgia for a cherished play thing, but these are actually the reflections of a then 20 year old man that still bought toys.