Biff Bam Pop’s It’s All Connected: Golden Glitter & An Underlying Darkness-The Legacy of Tony Stark In The MCU (Part 2)
Part one of Biff Bam Pop’s It’s All Connected: Golden Glitter & An Underlying Darkness-The Legacy of Tony Stark In The MCU took a close look at the similarities between father and son, Howard Stark and Tony Stark, including their personalities, business interests and shared legacies. At the same time, it laid the groundwork for the younger Stark’s role as the Marvel Cinematic Universe’s greatest purveyor of malice.
Tony Stark and his Stark Industries conglomerate create weapons of mass destruction. This is known.
Midway through the first Iron Man (2008) film, after being tortured and, after seeing his company’s products sold to terrorist organizations and used for evil purposes, Stark comes to a marked and important turning point in his life wherein he states: “I don’t want a body count to be our only legacy.” An altruistic statement, to be certain, by a man who’s bravado is only surpassed by his bank account. Still, it’s a significant distinction to make that, at this time, Stark truly sets out on the path to becoming heroic.
But in the Marvel Cinematic Universe, everything that Tony Stark creates for noble, upstanding and heroic purposes always gets twisted in ways that transform that sense of benevolence into objects of mankind’s destruction.
Last night the second episode of “Marvel’s Agent Carter” aired right after the first. I decided to tackle each episode separately to more closely examine what happened. It certainly was an exciting night of television, and it was also pretty good as well. All that, and Ant-Man too! Meet me after the jump for my thoughts on “Bridge and Tunnel,” the second episode of “Agent Carter.”
It started off with a bang – both Iron Man 3 and the 2013 summer movie season. The third instalment in the Iron Man series hit the big time whether anyone thought it was good or not, but unlike a Black Friday line-up, it was worth the time and effort to fight the crowd to get in. Here’s a look back at what worked in the biggest movie of the year.
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