With ‘Ready or Not 2: Here I Come’, Radio Silence has brought back several elements of the first film while expanding the scope. For fans of the original, it’s worth hunting down.
“Man on the Run,” the new documentary from director Morgan Neville, traces Paul McCartney’s post-Beatles life during the 1970s
“Predator: Badlands’ is equivalent to a “Friday the 13th” movie if Jason made friends with the counsellors.
“Exit 8” is a deep, thoughtful film that stays engaging throughout its 90-minute run time.
Sook-Yin Lee’s ‘Paying For It’ adapts Chester Brown’s graphic novel in an honest and authentic way while using her deft directing to explore unconventional relationships
“Dead Man’s Wire” is a true-crime thriller that actually has something to say and the nerve to say it loud.
The new rock doc “CFNY: The Spirit of Radio” is both a love letter to the beloved Toronto radio station and a reminder of what radio once dared to be.
“The Running Man” is a fast-paced and well-acted film, and following the fantastic “The Long Walk” from a few months ago, yet another excellent Stephen King adaptation in 2025.
Osgood Perkins’ latest, ‘Keeper’ feels like a couple of decent performances, mostly-cheap scares, and decent but confusing VFX in search of a story.
Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’ favours style over substance. But it might be better for it.
You won’t find any spoilers in our review of Zach Cregger’s “Weapons.”
While it won’t keep you up at night, Steven Soderbergh’s “Presence” will keep you engaged with its haunting tale.
