31 Days Of Horror: Toronto After Dark Film Festival Review – “I’ll Take Your Dead”
‘I’ll Take Your Dead,’ a Toronto After Dark Film Festival entrant, brings three seemingly disparate genres together by presenting powerhouse performances.

‘I’ll Take Your Dead,’ a Toronto After Dark Film Festival entrant, brings three seemingly disparate genres together by presenting powerhouse performances.
There’s always a stigma when you’re perceived as different, and the Michael-free ‘Halloween III: Season of the Witch’ suffers unfairly from that syndrome.
Scribblenauts Mega Pack combines two games, Unlimited and Unmasked that have been available on mobile, and that have now made their way on to the Nintendo Switch.
The Prince of Lies, The First of the Fallen, The Light Bringer, The Morning Star, The Lord of Hell…and one-time night-club owner heralds a brand new Vertigo Comics with a brand new first issue!
Tim Murr looks at the genesis, success, and failure of Halloween 4: The Return of Michael Myers, the beginning of the Thorn Trilogy.
It’s hard to decide whether to love or hate Rick Rosenthal’s ‘Halloween II,’ so why not do both? Jeffery X Martin reviews the same movie twice.
BHFF selection ‘Empathy, Inc.’ overcomes its budget limitation by focusing on character to tell its virtual reality horror story.
In this instalment of Heroes and Villains we’ve got some seasonally appropriate creepy books, and a look at how I got sucked into the DC Universe streaming service!
Mat Langford has been going back and forth for a couple of days thinking about just how to summarize his initial experience with Call of Duty: Black Ops 4.
October means there’s a lot going on the fright film front, and Tim Murr has collected some prime pieces of news for The Week in Horror.
Welcome to the first installment of Songs in the Key of X, a weekly music feature in which Jeffery X Martin talks about five his favorite songs. This week, X features Echo and the Bunnymen.
John Carpenter’s Halloween is a classic. That is a scientific fact of science. Even if you’re not a fan of the film, you can’t deny the power of the soundtrack, the simple brilliance of its scare construction, and the impact it has had on the entire horror genre.