‘On the President’s Orders,’ directed by James Jones and Olivier Sarbil, is a jarring account of Philippine president Rodrigo Duterte’s war on drugs.
The legendary Michael Ironside is currently featured in Hellmington, a new film from the writing/directing team of Jay Drakulic and Alex Lee Williams.
Jordan Peele’s new horror movie, ‘Us,’ is a twisted mirror image nightmare and in his review, Sachin Hingoo calls it “scary as hell.”
Creed II manages to be its own fighting machine, echoing but far from reliant on the past.
‘The Man Who Killed Hitler and then The Bigfoot’ belies its drive-in movie title by being a wonderful drama about aging and the secrets we all keep.
Thanks to the music that inspires it, and the outstanding performances from all involved. Bohemian Rhapsody delivers majesty worthy of the name Queen.
The depiction of the Apollo 11 mission to the moon, ‘First Man,’ is a treat for the eyes, but suffers an emotional coldness that hampers its connection with the audience.
Bradley Cooper and Lady Gaga shine in the most recent iteration of ‘A Star is Born,’ but Sam Elliott is the one who deserves the highest praise.
There’s always a stigma when you’re perceived as different, and the Michael-free ‘Halloween III: Season of the Witch’ suffers unfairly from that syndrome.
BHFF selection ‘Empathy, Inc.’ overcomes its budget limitation by focusing on character to tell its virtual reality horror story.
Venom suffers from a slow start, but once the film gets rolling in the second act, it becomes a fun and entertaining addition to the superhero genre.
In this instalment of 31 Days of Horror, Nicolas Cage expert Lindsay Gibb looks at the actor’s latest foray into the horror genre, Mandy.