31 Days of Horror 2022 Presents Read This Book – ‘Hell To Pay’ From Charles Soule & Will Sliney
Hell To Pay takes some interesting and exciting twists as it breathes fresh life into what at first seems like a run of the mill heist story.

Hell To Pay takes some interesting and exciting twists as it breathes fresh life into what at first seems like a run of the mill heist story.
11 more days ’til Halloween, Halloween, Halloween and E.A. Henson has a look at some perfect figures to celebrate with.
Marie Gilbert says The Murder Podcast is a true comedic horror treat.
Everyone loves the spooky season – and the spooky season loves everyone back! But did you know that love can blossom even in the most horrifically nightmarish of times? You will!
Alexandre O. Phillipe’s ‘Lynch/OZ’ explores the connections between the art of David Lynch and the 1939 classic The Wizard of Oz, perhaps making you rethink both.
The movies in Arrow Video’s box set “Gothic Fantastico: Four Italian Tales of Terror” represent a deep and engrossing dive into cinema’s past.
Comics like Wakanda #1 and Namor The Sub-Mariner: Conquered Shores #1 are no doubt timed to coincide with a big event film, but that doesn’t lessen their value at all.
Sachin Hingoo writes about his favourite villain, Blue Velvet’s Frank Booth, in The Performances That Make Us Scream for 31 Days of Horror 2022
Discover why Wade Stokan calls Undungeound an exciting little indie game.
Authors Christopher Golden and Tim Lebbon talk to Andy Burns about their new novel, Festival.
This week, we say goodbye to Jamie Lee Curtis’s Laurie Strode, say hello to M3GAN, and revel in a couple of sick home releases ahead of Halloween. All that and more in the Week in Horror!
In the latest installment of The Performances That Make us Scream, Dorianne Emmerton looks at the phenomenal work of Morfydd Clark in Saint Maud.