As many of you know, I’m a huge fan of Stephen King’s The Dark Tower. As many of you may also know, I’m the author of the book Wrapped In Plastic: Twin Peaks (ECW Press, 2015). Previously, I never would have imagined that there would be any connection between two of my greatest loves, but following last night’s conclusion of Twin Peaks: The Return, I can’t help but think about how both series confounded expectations of their followers.
Read along with me, but be advised, there will be massive spoilers for both The Dark Tower and Twin Peaks: The Return.
Last night on Showtime brought the resolution of the 18-episode limited event series, Twin Peaks: The Return. As co-written by show creators Mark Frost and David Lynch, and directed solely by Lynch himself, the series was essentially about the return of FBI Special Agent Dale Cooper (Kyle MacLachlan) to the town he first visited some 25 years ago when he was tasked with investigating the murder of high school student Laura Palmer (Sheryl Lee).
I’m not going to get into deep analysis off the series as a whole (you can wait for the follow-up to my book), but it’s worth nothing that the real story for this remarkable piece of art Lynch and Frost created is ostensibly that of Cooper’s return to Twin Peaks, and a final confrontation with his evil doppelgänger that has roamed free for decades while Cooper himself has been trapped in the series’ supernatural meeting house, The Black Lodge. And in episode 17, that’s what Lynch and Frost deliver – moments that fans have dreamt of for 25 years themselves. Cooper, clad in his black suit and craving his cup of coffee, back in the town, surrounded by familiar faces and some new ones. The evil doppelgänger vanquished, seemingly for good. This was fan service at its finest, and for many, shutting things down with this conclusion probably would have been just fine. Read the rest of this entry
There’s nothing quite like a David Lynch movie. You know the second you find yourself immersed in one of his unsettling worlds, the strange blend of earnest innocence and churning malevolence vying against one another, light and dark and laughter and horror and violence but especially the eeriness. Nobody but nobody does eerie like David Lynch. Which makes David Lynch: The Art Life so fascinating, a movie about a movie-maker that takes up all the stuff he does other than movies.
The entire time I was watching and reviewing the two seasons of television’s hit cult series, “Twin Peaks” for Biff Bam Pop!, I was anxiously marking the time until I could view Lynch’s 1992 film Fire Walk with Me, the prequel to the television series. Having already been hooked on the series because of Andy Burns‘ book, Wrapped in Plastic: Twin Peaks, I accidently pulled up a link that featured the deleted scenes from the film. It was an accident that helped me understand the film much better because it confirmed what I’ve always believed “Twin Peaks” was really about: the battle between good and evil. In this film, we have become silent witnesses to what happened to Laura on the last week of her life. Laura was a blonde, blue-eyed angel with a dark secret. We get a chance to walk in Laura’s shoes in this film. It is a terrifying walk. Read the rest of this entry
Is time travel possible? In the land of reruns and Netflix, time travel is just a short twenty-five years back to a show that was not only the king of cult shows, but a favorite of my friend, Andy Burns. I had never watched the “Twin Peaks” series created by David Lynch and Mark Frost when it originally aired and, I probably would have gone through life never seeing the show if it weren’t for Andy Burns’ book.
On the last episode of “Twin Peaks,” Leland was finally identified and charged as Laura’s killer. But, if we were following the clues given by the giant, we already knew. How could we not know when Leland’s mask was constantly slipping; allowing us to peek at BOB. This episode we have a wake to attend. Read the rest of this entry
Did you guess the answer to the trivia question from last week’s episode of “Twin Peaks“? How many times did Sheryl Lee play a dead body wrapped in plastic? The answer is three: in the pilot episode, our last episode, and the 1992 theatrical film Twin Peaks: Fire Walk with Me. On last week’s episode: Ben’s a jailbird; Lucy returns; Pete blackmails; Maddy is wrapped in plastic, and we meet the monster; one dance step at a time. Read the rest of this entry