Gilbert Speaks on “Nocebo”
When a children’s fashion designer becomes mysteriously sick, a maid shows up at her door to help, but this maid in nothing like Nanny McPhee.
When a children’s fashion designer becomes mysteriously sick, a maid shows up at her door to help, but this maid in nothing like Nanny McPhee.
Marie Gilbert says that Leave is an A+ film, with an ending that will knock you off your seat.
Find out why Marie Gilbert says we should keep our eyes on Sorry About the Demon director Emily Hagins.
Are you ready to experience the utter weirdness of “Skinamarink?” Jeffery X Martin and Sachin Hingoo discuss the movie, now available on Shudder.
The Week in Horror: As GM Craig Engler leaves Shudder, Sachin Hingoo reflects on what the streaming service meant to him over the last eight years.
A mutated virus brings the worst out of everyone in ‘The Sadness,’ an unflinchingly violent, blood-covered Taiwanese horror. @Shudder @RavenBanner
To its credit, The Advent Calendar avoids the typical killer Santa Claus tropes and attempts to create a singular horror in the holiday horror sub-genre.
The Shudder original film “Dead And Beautiful” attempts to overlay the vampire mythos onto the secretive world of the incredibly rich.
Kurtis Harder’s Spiral is a worthwhile watch for the carefully-considered genre take on trauma.
Shudder does it right, Netflix does it wrong, and Begos does a vampire movie as Tim Murr escorts us through The Week in Horror.
Big news from Arrow Video, WonderCon, and the DCEU as Tim Murr remembers some genre icons while celebrating the drive-in mutants in ‘The Week in Horror.’
‘Hellboy’ makes a fiery return, the Rondo Awards are coming, and Shudder brings ‘Critters’ back from space prison in this edition of The Week in Horror.