Fantasia 2022: Ry Levay’s Out in the Ring is one of the best and most well-researched wrestling documentaries I’ve seen, and I say that as someone that’s seen nearly every doc produced on the industry.
Like it’s sort-of namesake, Carlo Mirabella-Davis’s Swallow, Carter Smith’s Swallowed deals with the kind of body horror that’s ingested orally. Unlike in that film, though, there’s a tender centre to this twisted, filthy tale of bodily functions and violence.
Quentin Dupieux’s Incredible But True explores marital stagnation, time travel, and exploding penises.
The annual Fantasia International Film Festival takes over The Week in Horror! Check out all the big premieres that’ll grace Montreal this year!
This week’s edition of The Week In Horror has the first details about a couple of very cool film fests!
Feels Good Man is an incredibly thorough and engaging look at how benign symbols and icons are co-opted and used in radicalization efforts.
In Amelia Moses’ feature debut, Bleed With Me, big-time scares are traded for much more nuanced prods at her viewers’ comfort levels.
Who Goes There? was shortlisted for a Student BAFTA Award this year, and its precise execution is a good reason why.
Crazy Samurai Musashi is a relentless, real-time war, and whether it’s a movie, an athletic endeavour, a spectacle, or some of it’s one of 2020’s best surprises.
In The Columnist, Kaja Herbers portrays a woman who is done with being told to turn off her phone and walk away from the comments and grabs her agency back with both blood-stained hands.
Some of the best horror festivals in the US have joined up for a massive virtual edition called Nightstream.
For the first time, the Fantasia Film Festival will be accessible to almost anyone (in Canada) from home!
