Saturday at the Movies: ‘Alien: Romulus’ Suffers Under the Weight of the Familiar
‘Alien: Romulus’ treads in familiar territory and ultimately suffers because of it.
‘Alien: Romulus’ treads in familiar territory and ultimately suffers because of it.
Recently upgraded to 4K on streaming services, David Fincher’s classic crime film “Zodiac” has never looked better.
Osgood Perkins ‘Longlegs’ bypasses mystery for inevitable dread in the most uncomfortable horror outing of the year so far.
Roxy Shih’s ‘Beacon’ is a gripping two-hander that deftly swirls together themes of distrust, survival, and cosmic horror, anchored by two outstanding performances by its leads Julia Goldani Telles and Demian Bichir.
“The Exorcism” won’t make your head spin, but it’s worth watching for yet another entertaining Russell Crowe performance.
Ally Pankiw’s I Used To Be Funny grapples with the aftermath of trauma, adding yet another layer to Rachel Sennott’s increasingly-diverse catalogue of roles.
The Beach Boys have been the focus of many documentaries, but the new Disney+ film is a compelling and necessary watch.
Jeffery X Martin spends some time with the families with ‘Lowlifes’ in this week’s Saturday at the Movies.
What happens when you watch a film and hate all the main characters?
“Abigail” is a top-tier vampire film that fans of blood and blood-suckers will definitely lap up.
Stuck in the streaming quagmire, ‘Everwinter Night’ is a smart horror movie that slipped under the radar.
Whether real or imagined, Andy Burns discovers connective tissue between Alex Garland’s “Civil War” and Francis Ford Coppola’s “Apocalypse Now.”