31 Days of Horror 2025 Presents: Gilbert Speaks on ‘Good Boy’
In “Good Boy,” director Ben Leonberg brings us to a haunted house where a beloved dog must protect his human from unseen terror.
In “Good Boy,” director Ben Leonberg brings us to a haunted house where a beloved dog must protect his human from unseen terror.
A romantic comedy set against the backdrop of underground horror filmmaking, Kenichi Ugana’s I Fell In Love with a Z-Grade Director in Brooklyn once again finds the heart underneath the blood and viscera.
In a world of real-life government coverups and corruption, Christian Nilsson’s Dashcam mirrors what is happening today everywhere.
Tales of the Uncanny is a deep dive into the horror anthology and the definitive word on the subject.
In this edition of The Week in Horror, Tim Murr shares news on the new film from Girl on the Third Floor’s Travis Stevens, remembers Nick Tucci + more
Tim Murr ain’t excited for the new Ghostbusters film. Find out why and get your horror news here!
The Brooklyn Horror Film Festival has some amazing selections on tap for its fourth year! Take a look at some of the movies we’re looking forward to seeing.
Lucio Fulci’s ‘House by the Cemetery’ and Ted Geoghegan’s ‘We Are Still Here’ prove that home isn’t always the safe haven it is meant to be.
‘The Week in Horror’ takes three genre greats and slaps them together in the same article. King! Carpenter! Fessenden! It’s the club sandwich of horror!
In ‘The Week in Horror,’ Toxie gets a makeover, clear some more shelf room for Jason Voorhees, and San Francisco thrash takes the spotlight.
Tim Murr interviews Larry Fessenden, director of modern Frankenstein film, ‘Depraved,’ about his new movie, parenting, and the legacy of the Monster.
‘The Week in Horror’ reveals early buzz for ‘Pet Sematary,’ a new character for ‘The Conjuring’ movies, and a Chan-Wook Zahler collaboration!