Netflix reveals the official trailer for the upcoming film Okja, which includes the first full look at the massive animal at the heart of director Bong Joon Ho’s latest film, which will have its world premiere at the 70th Cannes Film Festival.
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With the retirement of Hayao Miyazaki and Isao Takahata, the future of Studio Ghibli has been questionable with no young talent to pick up the slack. The answer may lie with this feature that debuted at the Cannes Film Festival last week. Meet me after the jump for a first look at The Red Turtle.
There’s a traveling retrospective of Ruben Östlund’s work going around; it was in New York earlier this year, and lands at TIFF in Toronto starting tomorrow. While four films is a bit light for a retro, the Swedish director does have a definite perspective, and seems on the verge of something. The same words keep cropping up to describe Östlund’s films: unsettling, provocative, audacious, perceptive. And the critics aren’t wrong. This guy likes pushing your buttons. Hard. He knows where they are and he goes after them with slow determination. So with his static camera and glacial skewering of public mores is Östlund a sadist or a satirist? You say tomahto, I say let’s make some soup after the jump.
Double, double toil and trouble;
Films will play, and our coin will tumble!
All apologies to William Shakespeare, but the accurate prognostication of the cinematic box office takes a bit of the black magic. JP here, filling in for the currently indisposed Andy Burns, Editor-in-Chief of Biff Bam Pop! and regular sorcerer of this column. Hey, we’re six days away from Halloween. I’m in the mood!
There are three new movies out this week, and all are looking to re-write physics and bring Gravity, the current cinema champion, down to earth.
Follow me after the jump to see what answers my black art drums up!