31 Days of Horror 2022: The Performances That Make Us Scream — Isabelle Adjani, “Possession (1981)”
Guest writer Clay McLeod Chapman praises Isabelle Adjani’s manic performance in 1981’s “Possession.”

Guest writer Clay McLeod Chapman praises Isabelle Adjani’s manic performance in 1981’s “Possession.”
Over 30,000 collectors around the world are anxiously awaiting the arrival of one of Hasbro’s most successful HasLab’s ever, Galactus.
Mike Oldfield’s seminal album gets the orchestral treatment on “Tubular Bells — 50th Anniversary Celebration.”
“Watch the new season of Eli Roth’s “A Ghost Ruined My Life,” Marie Gilbert says, “but keep the lights on!”
The comic book spooky season comes to a close with a story that gathers the occult, demons, hellfire, and the evil that lives in the hearts of men. Perfectly spooky stuff indeed!
If you’re looking for a Marvel-ous way to get primed for All Hallow’s Eve, Crypt of Shadows will scratch your horror itch.
Sissy Spacek’s work in “Carrie” was crucial to the film’s success and one of The Performances That Make Us Scream in this installment of 31 Days of Horror.
Filmed during the COVID lockdown, “Red River Road” kept Marie Gilbert on the edge of her seat.
Feast your eyes on the trailer for “Ant-Man and the Wasp: Quantumania” which hits theaters next February!
What if ghosts and hauntings were just part of our everyday life? If everywhere you looked or lived, we’d be sharing space with the undead.
got scoops on a sweet new release of Canadian classic Black Christmas, a new live-action adaptation of the Death Note anime, and a whole lot more! Check it all out in The Week in Horror!
Guest writer Ryan Breedon encounters a different kind of cosmic madness in the video game, “Lovecraft’s Untold Stories 2” as 31 Days of Horror continues!