TIFF 2022: Steven Spielberg’s ‘The Fabelmans’
Steven Spielberg’s ‘The Fabelmans’ is a safe, comfortable, autobiographical piece that plays all the hits, and goddammit, they sound great.
Steven Spielberg’s ‘The Fabelmans’ is a safe, comfortable, autobiographical piece that plays all the hits, and goddammit, they sound great.
A genuine crowd pleaser from Alex de la Iglesias’ Fear Collection collaboration with Amazon Prime Video, Jaume Balaguero’s Venus blends a siege movie, crime thriller, and cosmic horror together into perfect midnight movie fare.
Ali Abbasi’s ‘Holy Spider’ is a chilling look at a real-life killer and the society that nurtures and feeds his monstrous appetite.
What Brett Morgen’s Bowie-bio Moonage Daydream achieves is to display, celebrate, and most importantly to understand the many ways that the world fascinated Bowie and vice versa.
@TIFF_NET and @mmadnesstiff announces the Midnight lineup for the 2022 Festival and The Week in Horror’s @flashymcflash has all the deets. #TIFF22
The Toronto International Film Festival is heading back to its pre-pandemic ways, with lots of stars, galas galore, and more than 260 films being screened.
Edgar Wright’s Last Night in Soho is a wild ride, a thrilling roller coaster of emotions that keeps you captivated with all of its permutations.
DASHCAM is the scariest film Andy Burns has seen this year, last year, and maybe even next year too.
Following a screening at the Toronto International Film Festival BBP!’s Andy Burns and Sachin Hingoo discuss Denis Villeneuve’s Dune.
There’s a buffet of evil, laced with some extremely sweet dance moves, to feast on in Gaspar Noe’s latest, Climax.
Killing is a movie featuring samurais that isn’t so much of a samurai movie as it is a Shinya Tsukamoto movie that has samurais in it.
Set in the early days of the American frontier, The Wind feels like an intriguing short stretched out to feature film length.