The Week in Horror Presents The 2022 Toronto International Film Festival Midnight Madness Lineup!
@TIFF_NET and @mmadnesstiff announces the Midnight lineup for the 2022 Festival and The Week in Horror’s @flashymcflash has all the deets. #TIFF22
@TIFF_NET and @mmadnesstiff announces the Midnight lineup for the 2022 Festival and The Week in Horror’s @flashymcflash has all the deets. #TIFF22
The Toronto International Film Festival is heading back to its pre-pandemic ways, with lots of stars, galas galore, and more than 260 films being screened.
Edgar Wright’s Last Night in Soho is a wild ride, a thrilling roller coaster of emotions that keeps you captivated with all of its permutations.
DASHCAM is the scariest film Andy Burns has seen this year, last year, and maybe even next year too.
Following a screening at the Toronto International Film Festival BBP!’s Andy Burns and Sachin Hingoo discuss Denis Villeneuve’s Dune.
There’s a buffet of evil, laced with some extremely sweet dance moves, to feast on in Gaspar Noe’s latest, Climax.
Killing is a movie featuring samurais that isn’t so much of a samurai movie as it is a Shinya Tsukamoto movie that has samurais in it.
Set in the early days of the American frontier, The Wind feels like an intriguing short stretched out to feature film length.
In the tradition of movies such as Reservoir Dogs and Free Fire, The Standoff at Sparrow Creek is a lesson in the right way to do a micro-budget feature.
Writer-director Jeremy Saulnier is behind three of the greatest films of the past five years: Blue Ruin, Green Room and, now, Hold the Dark.
The 2018 TIFF selection, ‘Endzeit,’ presents a decidedly feminist viewpoint towards the inevitable zombie holocaust and a unique visual style.
The reveal of the TIFF Midnight Madness lineup, that dark corner of bloody and weird fare, hand-selected by programmer Peter Kuplowsky, is like Christmas to me.