Tribeca Film Festival: ‘See For Me’ Review
In See For Me, Randall Okita and Skyler Davenport have managed to put a fresh face on the home invasion thriller, and have made a great stride for representation while doing so.
In See For Me, Randall Okita and Skyler Davenport have managed to put a fresh face on the home invasion thriller, and have made a great stride for representation while doing so.
When your whole province is on literal fire and the DELTA variant (and the lesser-known LIGMA variant) is bringing COVID back to life to kill again like the last scene … Continue reading The Week in Horror: ‘[REC]’, TIFF Midnight Madness, ‘The Night Comes For Us’, + more!
Discriminator is a compelling, interactive documentary about the rapid advancement and insidious implications of facial recognition software.
We have the details about the first films announced for the Toronto International Film Festival, including Denis Villneuve’s DUNE!
This week’s edition of The Week In Horror has the first details about a couple of very cool film fests!
Topside is a grim but intimately-observed gem, one that Sachin Hingo cannot believe is a directorial debut from Celine Held and Logan George.
Madeline Sims-Fewer and Dusty Mancinelli’s Violation isn’t explicitly a horror film, but it’s grisly enough to be horror-adjacent.
Feels Good Man is an incredibly thorough and engaging look at how benign symbols and icons are co-opted and used in radicalization efforts.
Who Goes There? was shortlisted for a Student BAFTA Award this year, and its precise execution is a good reason why.
Crazy Samurai Musashi is a relentless, real-time war, and whether it’s a movie, an athletic endeavour, a spectacle, or some of it’s one of 2020’s best surprises.
In The Columnist, Kaja Herbers portrays a woman who is done with being told to turn off her phone and walk away from the comments and grabs her agency back with both blood-stained hands.
For the first time, the Fantasia Film Festival will be accessible to almost anyone (in Canada) from home!