There’s a buffet of evil, laced with some extremely sweet dance moves, to feast on in Gaspar Noe’s latest, Climax.
Killing is a movie featuring samurais that isn’t so much of a samurai movie as it is a Shinya Tsukamoto movie that has samurais in it.
Set in the early days of the American frontier, The Wind feels like an intriguing short stretched out to feature film length.
In the tradition of movies such as Reservoir Dogs and Free Fire, The Standoff at Sparrow Creek is a lesson in the right way to do a micro-budget feature.
Writer-director Jeremy Saulnier is behind three of the greatest films of the past five years: Blue Ruin, Green Room and, now, Hold the Dark.
With In Fabric, Peter Strickland has created a deliriously lavish work that’s certainly a highlight of his growing collection.
While Meeting Gobachev celebrates his life and accomplishments, it’s also a chilling reminder that those who forget history being doomed to repeat it.
40 years after the original Halloween was unleashed, a new sequel premiered at TIFF, and laid claim to the title of best sequel in the series.
In many ways, The Predator is exactly what fans of the 31 year old franchise have been waiting for.
The 2018 TIFF selection, ‘Endzeit,’ presents a decidedly feminist viewpoint towards the inevitable zombie holocaust and a unique visual style.
The reveal of the TIFF Midnight Madness lineup, that dark corner of bloody and weird fare, hand-selected by programmer Peter Kuplowsky, is like Christmas to me.