TIFF 2018 Review: Gaspar Noe’s ‘Climax’
There’s a buffet of evil, laced with some extremely sweet dance moves, to feast on in Gaspar Noe’s latest, Climax.
Tag: TIFF 2018
TIFF 2018 – Die By the Blade: Shinya Tsukamoto’s Killing
Killing is a movie featuring samurais that isn’t so much of a samurai movie as it is a Shinya Tsukamoto movie that has samurais in it.
TIFF 2018 – Prairie Horror Companion: The Wind
Set in the early days of the American frontier, The Wind feels like an intriguing short stretched out to feature film length.
TIFF 2018 – Vigilante Injustice: The Standoff at Sparrow Creek
In the tradition of movies such as Reservoir Dogs and Free Fire, The Standoff at Sparrow Creek is a lesson in the right way to do a micro-budget feature.
TIFF 2018 – Of Wolf and Man: Jeremy Saulnier returns with Hold the Dark
Writer-director Jeremy Saulnier is behind three of the greatest films of the past five years: Blue Ruin, Green Room and, now, Hold the Dark.
TIFF 2018 – Nightmares in Analog: Peter Strickland’s In Fabric
With In Fabric, Peter Strickland has created a deliriously lavish work that’s certainly a highlight of his growing collection.
TIFF 2018: Comrades – Werner Herzog’s Meeting Gorbachev
While Meeting Gobachev celebrates his life and accomplishments, it’s also a chilling reminder that those who forget history being doomed to repeat it.
TIFF 2018: ‘Halloween’ is a Superior Sequel
40 years after the original Halloween was unleashed, a new sequel premiered at TIFF, and laid claim to the title of best sequel in the series.
TIFF 2018: ‘The Predator’ Delivers Solid Action, Marred By Script
In many ways, The Predator is exactly what fans of the 31 year old franchise have been waiting for.
TIFF 2018: ‘Endzeit (Ever After)’ Is A Feminist Zombie Phenomenon
The 2018 TIFF selection, ‘Endzeit,’ presents a decidedly feminist viewpoint towards the inevitable zombie holocaust and a unique visual style.
TIFF 2018: The Midnight Madness Lineup Is Revealed!
The reveal of the TIFF Midnight Madness lineup, that dark corner of bloody and weird fare, hand-selected by programmer Peter Kuplowsky, is like Christmas to me.