Category Archives: the Wednesday run
Yes, it’s Wednesday – and that means a new sci-fi comic book available at your local comic book shop. Not that anyone’s complaining, mind you. Not when the “sci-fi” in question is based in present day times and it’s from the fertile mind of writer Matt Kindt (Mind MGMT), a favourite of ours on this very site.
So, what happens when you’re trapped in the early twenty-first century – prehistory – and you’ve discovered that the time stream is an absolute mess?
You’ve got to fix the problem. And that’s what the fascinating Past Aways, a brand new monthly series, is all about.
Of course, we all know it to be from Arthur C. Clark’s widely renown novel, 2010: Odyssey Two.
Still, with scientists stating that the Jupiter moon of Europa surely carries a sea of water under its surface of ice, and, curiosity being a main trait of humankind, warnings aside, who wouldn’t want to land on Europa?
With the just released Ocean/Orbiter Deluxe Edition hardcover, readers get that particular story (Ocean) as well as another science fiction tale involving missing space shuttles and deep space mysteries (Orbiter).
Follow me after the jump for the run-down!
If it walks like a duck…and, uh, has an acerbic wit, solves weird cases as the Marvel Universe’s only white-feathered Private Eye, and has the unenviable reputation of starring in one of the worst films in cinematic history…it’s got to be Howard the Duck.
Yeah, you probably better know him as the snappy, martini-sipping, duck-billed alien during the end credit scene of last year’s blockbuster film, Guardians of the Galaxy.
Well, after a long spell away, Howard’s finally back in the pages of his own monthly comic book, appropriately titled, Howard the Duck #1.
I’ve gone on quite a bit about the resurgence of science fiction comics over the last half-decade on this very column. I’ve also spoken about Image Comics and their continual support for creator-owned projects that push the barriers of what comics can be.
Let me, then, speak briefly about Jeff Lemire comic books.
No matter the genre, Lemire’s stories are always about damaged, but real people and their ability to captivate an audience and warm the heart. Whether it’s a pastoral community in which a young boy discovers adult secrets (Essex County Trilogy), a post-apocalyptic future of animal-human hybrids (Sweet Tooth), a secretive stranger in a small town (The Nobody), a blue-collar worker encountering the fantastic (The Underwater Welder), or the last love story ever told (Trillium), each Lemire story stands on its own, while simultaneously painting a beautiful oeuvre of the writer’s/artist’s inner mind.
Today, that canvas is interstellar in scope as Lemire, along with acclaimed artist Dustin Nguyen, head to outer space for Descender #1.
No. Marvel Comics has been mining that theoretical science in the form of monthly stories for a long time, too. Now, I’m not generally a fan of superhero comic book tales that fall outside of their more mainstream and well-recognized world, but there are occasions where a different take can really shed some new light on a well-known character.
And as we all know, with great power, comes great responsibility.
So what happens when Gwen Stacy is the one bitten by the radioactive spider?
Follow me after the jump for the rundown on Spider-Gwen #1!
It’s been said, more than once in this particular column, that the science fiction genre has become an extremely popular mainstay in comics over the last half decade. And we reader are the luckier for it!
This Wednesday, like many Wednesdays before it, showcases a new number, a new entrant, into the pantheon of recent sci-fi.
Follow me after the jump for a look at Rafael Albuquerque’s newest creator owned series, Ei8ht!
Well, probably a lot of people out there in the world, actually.
But they should be. They will be.
You see, as of today, the “ultimate horror comic”, as fan favourite artist and co-creator Chris Burnham is calling it, gets released. His co-conspirator is writer Grant Morrison, himself a legend in the comic book industry.
So, what name do they give their tale of terror? Well, that’s easy.
Follow me after the jump for a quick rundown of Nameless #1.
You’re in for a delicious comic book treat today! Take a guided tour of the various realities that make up the pantheon of the DC Comics universes with the 80-page The Multiversity Guidebook #1.
Follow me after the jump for a brief introduction!
I can’t recall a time – ever – where there were so many television shows based on comics that I read (or read), all on at the same time! Agents of S.H.I.E.L.D., Agent Carter, Arrow, The Flash, Gotham, Walking Dead, the upcoming iZombie and Daredevil to name a few.
Everyone is in on the popular game, from major broadcasters like NBC, to the more artsy cable companies like AMC, to new modes of transmission companies like Netflix, to…Sony PlayStation?
And that brings us to today’s release of Powers #1. Follow me after the jump and I’ll connect that comic book to television transition.
Back in 1977, Marvel Comics, on the back of the popularity that Star Wars (the first movie) had generated, began publishing monthly Star Wars comic books. In hindsight, it was an early look at the comic book industry licensing rights from other companies in order to publish their characters – something we see regularly now.
This partnership with Lucasfilm lasted the better part of a decade. Eventually, Star Wars would find a new home and partner with Dark Horse Comics, and a prosperous relationship (with absolutely fantastic – and now legendary – comic book Star Wars stories) lasted twenty-three years.
And then Disney, who had already purchased Marvel Comics, bought Lucasfilm.
Today, everyone’s favourite story from a long time ago in a galaxy far, far away, returns home with the release of Marvel Comics’ Star Wars #1.
Follow me after the jump for more info!