The Week in Horror Presents The 2022 Toronto International Film Festival Midnight Madness Lineup!
@TIFF_NET and @mmadnesstiff announces the Midnight lineup for the 2022 Festival and The Week in Horror’s @flashymcflash has all the deets. #TIFF22
@TIFF_NET and @mmadnesstiff announces the Midnight lineup for the 2022 Festival and The Week in Horror’s @flashymcflash has all the deets. #TIFF22
Jean Luc Herbulot’s ‘Saloum’ is a story that feels both big (as in continent-spanning) and small (as in deeply personal) that can be compared to ‘From Dusk Till Dawn’ or ‘Predator’, but feels entirely unique.
In Antoine Fuqua’s The Guilty, Jake Gyllenhaal presents a layered character whose inner turmoil bleeds into his duty and desire to help a desperate family, and in doing so, perhaps redeem himself.
When either set of credits roll on Julia Ducournau’s Titane, the most likely feeling you’ll have is a kind of delicious whiplash, or disorientation. You may not know what you’re in for, or what you’ve just witnessed, but you’ll likely be certain that you’ve seen something special.
We have the details about the first films announced for the Toronto International Film Festival, including Denis Villneuve’s DUNE!
There’s a buffet of evil, laced with some extremely sweet dance moves, to feast on in Gaspar Noe’s latest, Climax.
Dragonfly Eyes, Chinese artist Xu Bing’s first foray into feature-length filmmaking, is a direct glimpse into what the future of cinema might be.
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