Today sees the release of Logan on Blu-ray. The film marks the final stand of Hugh Jackman as the character he first brought to life some 17 years ago, and who he portrayed over the course of nine films (including starring roles and cameos).
It will be hard for FOX to replace Jackman as Wolverine, and the studio is well aware of the good fortune they had of casting the actor in what will remain his seminal role. In tribute, the studio has started up the #ThankHugh Initivative, encouraging fans to share their favourite image of Jackman in character. We wanted to participate, and hope you to do, because no matter what you thought of all the X-Men films, there’s no doubt that Hugh Jackman always delivered the goods as our favourite Canucklehead.
There’s a new king of the box office jungle this weekend, as the latest high profile release in theatres took down the competition. Here’s what went down:
Kong: Skull Island debut this weekend at number one, bringing in an estimated $61.4 million, which is on the higher end of what pundits were anticipating. While the lack of a big blockbuster name draw probably hindered its crossover appeal, strong word of mouth and critical notices helped the first instalment in a new Monarch shared universe find an audience. The trouble is, Kong: Skull Island cost $185 to make, and it’s doubtful it will make that back in North America. The film will have to play well overseas for it to earn a franchise. I had a chance to see Kong: Skull Island and was thoroughly entertained. There’s a strong Heart of Darkness/Apocalypse Now vibe throughout the entire film, from names to soundtrack, and the sfx were solid. It’s definitely one to see on the big screen.
After an incredible debut weekend, will our previous box office number one hold on to the spot, or will a legendary King climb to the top of the heap? Here are our predictions:
Kong: Skull Island is an effects-driven film that seems like it would do well as a summer blockbuster, but instead here it is arriving just a few short weeks before Spring. This is the next in what is looking to be a shared universe between King Kong and Godzilla, with the potential for more giant monsters to come. Kong benefits from a great group of actors, including Tom Hiddleston, John Goodman, Brie Larson and Samuel L. Jackson, along with decent reviews, but word of mouth around the final film of Marvel’s favourite mutant is going to dash Kong: Skull Island‘s dream of number one. Look for a second place debut with $43 million. Read the rest of this entry
It was a huge weekend for the major new release to hit theatres, bringing to a close one actor’s career-making role. Here’s what went down:
Early Sunday morning estimates are putting Logan at number one with an incredible $85.2 million debut weekend. That puts it in the top five best openings for an R-rated film. It will also puts it $00.2 million ahead of X-Men Origins: Wolverine‘s $85 million debut back in 2009. Clearly, audiences were excited to see Hugh Jackman unleash his claws one last time, in his ninth and final outing as Wolverine. Also of note is the film’s standing with critics; the film has a 93% rating at Rotten Tomatoes, making it clear that this is a movie that has exceeded expectations all around.
I had the chance to see Logan on Friday afternoon with Untold Horror’s Dave Alexander, and we both enjoyed this western-style take on the character who, in theory, has always been a loner. With director James Mangold focusing on story and character rather than explosions and end of the world scenarios, the movie transcends the typical comic book movie tropes and expectations. Logan is a movie that rewards observations – not everything is obvious and spelled out. There are subtleties you may miss if you’re not careful. Jackman and Patrick Stewart are phenomenal in their roles, and Logan is a memorable way for both men to leave their characters behind. Read the rest of this entry
That’s the sound of one movie slicing through all the competition this weekend at the box office. How much will this final franchise film make? Here’s our prediction:
Comic book fans have been eager to see Hugh Jackman cut loose as the Wolverine since he first unsheathed his claws back in 2000. 17 years later, Jackman’s final film as Logan, has been generating rave reviews and huge buzz (it must be noted that this will also be Patrick Stewart’s final appearance as Charles Xavier). With director James Mangold at the helm, who was also behind 2013’s The Wolverine, this take on an Old Man Logan story and the introduction of fan favourite character X-23 is sure to light up the box office, even with its R-rating. Look for Logan to debut in first place with $75 million.
The final trailer for Logan is here.
It is outstanding.
The film opens March 3rd.
Talk is cheap. And in Civil War II #7, nothing happens but talk, and it’s not cheap. For five dollars American I got pretty pictures, a lot of talk, hardly any plot progression, and nothing happens. In a comic that includes entire pages taken up by credits, alternate covers, a next issue tease, and a minimalist roll call, that is awful. When it’s taken into account how late this event series is, it is simply an awful shame. But then again, what does or doesn’t happen in this issue may be a matter of perspective, and we may just have seen the death of another major Marvel superhero. Meet me after the jump for my thoughts on what does happen in Civil War II #7…
Holy shit. This looks incredible. That’s all I’m going to say.
Logan is out March 3rd, 2017.
It’s comic book domination this summer at the box office. We’ve already seen Iron Man 3 and Man of Steel and we have 2 Guns, from BOOM! and Kick Ass 2 to look forward to. So in honor of a truly comic book summer you get Red 2 AND a The Wolverine review.
First, Red 2. Obviously it’s the second in the franchise and the first was a fun, wild romp, bringing together Hollywood’s older generation. Almost everyone’s back except for Morgan Freeman, who was killed in the first movie. In addition, we get Anthony Hopkins, Catherine Zeta-Jones and Byung-hun Lee.
If you didn’t see the first movie, it’s about retired agents from branches of the secret service around the world, who must fight for their lives when the current governments are set against them. The second movie is much the same premise, though a clean nuclear bomb is thrown into the mix. It hardly matters it’s basically the same movie as they make the characters and dialogue entertaining enough to show the same premise about 10 more times. We get Mary-Louise Parker’s character to fill in as the audience’s surrogate again, we get all he characters kicking ass, a femme fatale in and a mad genius in Anthony Hopkins (who I’m always glad to see on screen). Bruce Willis’ character, Frank, must recruit friends and enemies alike to clear his name and then save London from a nuclear bomb.
Along the way we get plenty of action and I just have to gush that Helen Mirren is hilarious, dry and badass. She gets to dress up and pretend she’s insane. She’s dryly checking in as she’s bathing her latest kill in acid, calmly asking Frank if he’s being controlling. Her ultimate scene comes when she’s firing two guns out a swirling, drool-worthy 2013 Lotus Exige S, the music screaming in the background.
Malkovich turns down the crazy on his character, which was a welcome relief for the second flick. Any more than one movie of that and it would have gotten stale.
Zeta-Jones’ Russian official was not quite as believable. She’s too well known as a Latin actress despite the fact she’s actually from the UK. How’s that for a brainteaser? That didn’t stop the chemistry she had with her co-stars and she was a welcome addition to the ensemble cast.
Byung-hun Lee shows off his amazingly trained body at the start of the film, always a bonus! He’s nattily dressed in suits for most of the rest of the movie … Oh, and his martial art skills are a thrill to watch.
We’re not talking any grandiose themes in this film, unless you count the underlying subtext that the government betrays everyone and anyone. It’s a fairly simple plot with great fun, great effects by ILM and hot fast action.
It’s the perfect summer popcorn flick that doesn’t attempt to preach, or make itself into something more than it is. Prop you feet up at your local theater and enjoy.
Added bonus: every single trailer before the film was for a film I wanted to see.
8 elderly assassins out of 10
After the forgettable 2009 X-Men Origins: Wolverine, the buzz was that Hollywood was a little hesitant to take on another stand-alone X-Men film. With the success of First Class, it seemed a little more viable, so we got this summer’s The Wolverine. There are few better characters to get a stand-alone film than Wolverine. He’s the bad boy, he’s hot, he’s vicious and we want to see him claw things! Perfect summer movie there. As long as we didn’t repeat badly animated bendy claws and a decapitated Ryan Reynolds, I was going to be good. What we got this summer was a fairly deep examination of a great character. Yes, it’s still a mutant vs. mutant movie, but we do get to see some of what has been torturing Logan since the end of X-Men 3, how Jean Grey’s death has effected him, and what it means to be Logan. Is it true, what the movie proposes over and over again – that the only thing an immortal really seeks is the means to a good death? It certainly appears so as we see Logan holed up in the mountains, unsuccessfully trying to drink himself to death.
In a confrontation with some local hunters, Logan is stopped from killing them by a new ally, Yukio (Newcomer Rila Fukushima). She takes him to Japan where her master, Yashida, wants to thank Logan for saving his life many years ago after the bomb was dropped on Nagasaki in WWII. From there, the plot winds through betrayal and counter betrayal, with Logan and Yashida’s granddaughter, Mariko (Tao Okamoto), getting some down time to fall in love and help heal Logan’s broken heart. The emotions presented throughout, do a pretty good job of exploring Logan’s attitudes and hang-ups. It wasn’t as emotionally arresting as something like Shame, or even another Jackman movie like The Prestige, but there was enough there to make it believable and get us through what would be a long run time for a straight action flick.
The device that let us see a more human side of Wolverine, was a good one. With his powers of healing suppressed, Logan is forced to deal with pain, needing help, and wounds that would probably kill a lesser man. We see Logan take bullet after bullet and that adds a dimension to the character that isn’t touched on very often – Logan feels every cut, slice, bullet and stab to his body. He simply has the mental fortitude to ignore and work through the pain. It was only mentioned once in the first film, when Rouge asked if it hurt when his claws came out and he replied “Every time.”
You can tell that Hugh Jackman genuinely enjoys playing Wolverine and it doesn’t hurt that he really does fit the bill physically as well. In an interview with a local radio station in LA, he was telling the hosts how he contacted The Rock, Dwayne Johnson, to get tips on how to put on lean muscle. The answer was 6,000 calories a day of chicken and broccoli, with one cheat day. That chicken and broccoli served you will Mr. Jackman.
The movie was also mostly unburdened by what seems to happen to superhero sequels – Hollywood tends to throw in any character they can, and the kitchen sink, in an effort to pep things up. This was certainly the case with X-Men Origins: Wolverine, where it was more a showcase of look how pretty all our mutants are, than a real story or plot. The Wolverine and director James Mangold allow us to have a superhero movie centered around the hero himself rather than the extraordinary things that happen to him. It’s what fans have been clamoring for, for a long time. Part of the original success of X-Men in the comics was the fact that they were extraordinary people that ordinary things happened to. They dealt with racism, hate and prejudice. It’s nice to see even a glossed over Hollywood version of that in this film.
My one complaint, and I’m sure it’s a girlie one, was the fact that Logan leaves his new love, Mariko with a rather blasé line that he has to move on because he’s a soldier. Here was this woman that helped put him back together again and all she gets is a: “ ‘I love you.’ ‘I know.’ ” line that isn’t very satisfying. It’s not as if the comics have a happier ending for Mariko. I guess she has to make her multi-million dollar company as a consolation prize.
Finally, for the life of me, I can’t figure out why people race out of the theater after the credits start rolling on a Marvel movie. Everyone knows there’s a goodie at the end.
**SPOILER** We get to see Wolverine re-recruited by Professor X and Magneto for the upcoming war with the Sentinels, as shown by the teaser news clip in the scene featuring Trask Industries.***
8 Logan Ronin out of 10