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TIFF 2017: Zama

Zama, the long-anticipated return of Argentinian director-extraordinaire Lucrecia Martel, is an astonishing work of colonial examination and technical perfectionism.

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TIFF 2017: Three Billboards Outside Ebbing, Missouri

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Martin McDonagh’s likes his comedies like his coffee: black. Actually, I have no idea how McDonagh takes his coffee, if he takes it at all. But boy does he have a way with finding the humour in very dark situations. His first two features were uneven, but both In Bruges and Seven Psychopaths unearthed surprising depths among their myriad quirks. With his latest, Three Billboards Outside Ebbing, Missouri, McDonagh has created a richer film, bubbling with tension, stark satire and even a hint of that elusive trait redemption.

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TIFF 2017: Dragonfly Eyes

Dragonfly Eyes, Chinese artist Xu Bing’s first foray into feature-length filmmaking, is a direct glimpse into what the future of cinema might be.

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TIFF 2017: High Fantasy

Jenna Bass’s latest film, High Fantasy, is a fascinating glimpse into the lives of South Africa’s multi-cultural youth. Appearing as a sort of homemade travelogue, High Fantasy is filmed as if collected from a group of friends’ various iPhones and then officially edited together afterwards.

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Marriage Under a Microscope Overshadows The World Of ‘The Commune’

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Man. I guess people were so depressed in the seventies they’d try just about anything. As we live through a fast-forward remix of the Watergate scandal, it’s interesting to take a look back at those strange, hungover times. The Commune is a Danish film set in the seventies, so a rather different milieu than Nixon’s America. But societal malaise was pervasive in Western culture at that time. From the talented but uneven director Thomas Vinterberg (The CelebrationThe Hunt), The Commune is a loosely autobiographical film of his own experiences growing up in that era. It’s a spare tale of a marriage pushed too far, veering into melodrama.

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‘Buster’s Mal Heart’: Rami Malek Shines in Surreal But Broken Thriller

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Anyone who watches Mr. Robot knows how hypnotic Rami Malek’s presence can be. He’s mastered an aura of complicated blankness, his glinting, buggy eyes set deep in his flatly inexpressive face. Malek calls on that same bright, disturbed facade to propel the shambolic, disjointed thriller Buster’s Mal Heart from director Sarah Adina Smith. A head-scratcher with a twisty split narrative, the film’s an uneven study of one man’s descent into madness, held together by the force of Malek’s commanding distance.

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‘A Man Called Ove’: Yet Another Grumpy Old Man, But Better Than Most

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They don’t come around all that often, but the movies love a charismatically gruff old man. From the goofy classic Grumpy Old Men with Jack Lemon and Walter Matthau to Clint Eastwood’s racist curmudgeon in Gran Turino, there’s a strange appeal to bitter old cranks. At least, when they discover they have a heart after all. Hannes Holm’s A Man Called Ove, from the novel by Fredrik Backman, follows in the genre’s creaky, recalcitrant footsteps. With a wonderful performance as the titular Ove from Rolf Lassgård, the film hits all the right irascible notes. Nominated for an Academy Award in the Best Foreign Film category, and another for Makeup and Hairstyling, A Man Called Ove has been an unlikely success.

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An “Anne Of Green Gables” Superfan Watches The Latest Adaptation

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I’ve been obsessed with Anne of Green Gables since I was a kid, and I’m always a bit nervous when new adaptations appear. I never want to see anything that ruins my Anne, so as I sat down to watch the PBS Holiday special, I crossed my fingers, and did my best to keep an open mind.

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Here’s What’s Fantastic About “Fantastic Beasts and Where to Find Them”

Throw on some jazz, pour a glass of Giggle Water, and curl up with your favorite bowtruckle, we’re talking Fantastic Beasts and Where to Find Them, on this spoiler-free review.

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The Lovers and the Despot

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A mad dictator obsessed with film kidnaps the best director and actress of a rival country, so that his nation can make its movies world-class. In two years, the captive pair churn out seventeen movies, before escaping to freedom. Oh, and they’re married. That’s not the ludicrous pitch to the next Coen Brothers flick. It’s actually a true story. In a limited theatrical run and just released to iTunes today, The Lovers and the Despot lays out the ludicrous details in a fascinating, strange documentary.

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