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Playing to ‘A New Standard’: Exclusive Interview With Jazz Pianist Thompson T. Egbo-Egbo

Among family, friends, and his many acquaintances, Thompson T. Egbo-Egbo is known for his infectiously positive spirit, his playful hijinks, and a smile that absolutely lights up a room.

But it’s the music that emanates deep within Egbo-Egbo’s soul his piano as a constant appendage, his jazz, classical and pop leanings and the constant intermingling and pushing of musical genres that reveals the creative standard of the man. As a Toronto-based pianist, composer, producer and sound designer, 2018 marks the official release of his new musical work, appropriately titled A New Standard.

The twelve-song album contains a wide selection of entries originally created by a number of legendary composers over the last two centuries. They are, naturally for Egbo-Egbo, culled from disparate genres: classical, jazz, and curiously, even rock music. In A New Standard, Egbo-Egbo lovingly performs a fun and up-temp version of Sigmund Romberg’s and Oscar Hammerstein II’s “Softly, as in a Morning Sunrise,” as well as a rollicking account of John Coltrane’s “Mr. P.C.” that merges brilliantly into the classically jazzy and beloved theme song from the 1967 Spider-Man cartoon by composers Paul Webster and Robert Harris.

In a more contemporary sense, Egbo-Egbo’s rendition of Bob Dylan’s”Make You Feel My Love” brings a wonderfully fresh and emotional sense of affection to the beloved classic, but surprisingly, there’s also a perfectly lonely interpretation of Radiohead’s “Exit Music (For a Film)” found on the new compilation, whose aural sense of isolation any fan of the band might expect and adore. This time, it’s just with a piano.

Biff Bam Pop’s consulting editor and regular contributor, JP Fallavollita, got the chance to steal Thompson T. Egbo-Egbo away from his busy schedule to talk music, his home city of Toronto, and the release of his latest album, the shimmering and wonderful A New Standard. Read the rest of this entry


Celebrity Skin: Andy Burns Reviews Collaborator

What’s with our obsession with celebrity? The whole TMZ, Perez, gossip sites that so many of us venture to regularly to get our fix – why do we do it? Is it the glamour? I suppose. Maybe we all have a little voyeur in us? Could be. Or maybe we just like watch a train wreck.

In his new film Collaborator, actor/director Martin Donovan shines a subtle light on the power of celebrity and how it can save and ruin lives. Check out the trailer and then read our review after the jump!

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For Life Or Just A Few Years Of Glory – NWO: The Revolution Reviewed

In the late 1990’s wrestling was all the rage. And for the briefest moment in time, the rage was caused by World Championship Wrestling and their band of former World Wrestling Federation stars, the New World Order.

I remember describing the NWO to my girlfriend at the time as this – you have your good guys, your bad guys and then the EVEN worse guys. That’s the NWO.

And yes, that’s right. I was watching wrestling AND had a girlfriend.

The NWO helped WCW dominate the Monday night wrestling wars for a good two years, and nearly helped put the WWF out of business. However, poor planning and stoylines and complete mismanagement eventually led WWF to purchase their rival, and along with it, all the NWO footage and trademarks, which is now on display in the new Blu-Ray/DVD collection NWO: The Revolution. Check out the trailer below and then hit the jump to read our review.

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Comic-Con 2012 Countdown: Comic-Con Episode IV: A Fan’s Hope Reviewed

This Thursday, thousands upon thousands of pop culture fanatics from around the world are going to arrive in San Diego for Comic-Con 2012, mecca for the uber geek in all of us. Now, while I’ve never been to San Diego Comic Con , watching Morgan Spurlock’s wonderful documentary Comic-Con Episode IV: A Fan’s Hope, I felt as though I received a crash course in what all the hype is about. Check out the trailer and then read more after the jump.

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Looking For An Epic Film? Confucius Says, Check Out Confucius

Is it me, or does North America cinema not really deal in epics anymore? And by epics, I mean films like Spartacus or Ben-Hur or Lawrence of Arabia; those larger than life films that take a main character (or characters) on an epic widescreen journey of adventure and/or self-discovery. I’m wracking my brain trying to think of any (leave a comment at the bottom if you can, would you?)

Maybe that’s why watching the Hong Kong film Confucius felt so fresh to me.

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