Sachin Hingoo’s ‘Scene That Shook Me’ for 31 Days of Horror is from Alex Aja’s ‘Haute Tension’ (aka ‘High Tension’, aka ‘Switchblade Romance’)
Edgar Wright’s documentary The Sparks Brothers highlights the ingredients that made Sparks truly something special.
The Week in Horror kicks off October with news about the new Munsters, The Last of Us, and Syfy’s Day of the Dead!
Despite its bad clever title, 1988’s Bad Dreams is deserving of an open-minded rewatch.
It’s been a minute, what with all the Film Festival’in we’ve been doing around here, but The Week in Horror is back with news about V/H/S/94, the new Let The Right One In series, and a whole lot more!
Bruce LaBruce’s ‘Saint Narcisse’is a compelling and provocative story, and has style for days along with one hell of a climax.
A24’s ‘The Tragedy of Macbeth’ boasts one of the most stunning trailers I’ve seen this year.
Jean Luc Herbulot’s ‘Saloum’ is a story that feels both big (as in continent-spanning) and small (as in deeply personal) that can be compared to ‘From Dusk Till Dawn’ or ‘Predator’, but feels entirely unique.
We’ve found footage of Paranormal Activity: Next of Kin. See what we did there.
In the new Canadian film Between Waves, from filmmaker Virginia Abramovich, both the emotions and the intentions of the people moving between worlds are quite untidy.
In Antoine Fuqua’s The Guilty, Jake Gyllenhaal presents a layered character whose inner turmoil bleeds into his duty and desire to help a desperate family, and in doing so, perhaps redeem himself.
Edgar Wright’s Last Night in Soho is a wild ride, a thrilling roller coaster of emotions that keeps you captivated with all of its permutations.