Shoshannah Stern’s documentary, “Marlee Matlin: Not Alone Anymore,” is a beautiful and informative visit, where the audience is invited to share in the Oscar winner’s triumphs, frustrations, and unexpected revelations.
Our Fantasia Fest 2025 coverage gets on its bike and rides along with ‘Anything That Moves,’ a graphic, grimy, and gorgeous trip through Chicago.
“40 Acres” is an exercise in excellent storytelling from first-time director R.T. Thorne.
Jody Wilson’s debut feature ‘The Bearded Girl’ is a coming of age fable that’s both well -worn, tried and true, but with enough slightly shifted reality to feel fantastical.
Ari Aster’s “Eddington” is a big swing, a nearly three-hour Western-style film set in a small town at the dawn of COVID.
Morihito Inoue’s ‘Onsen Shark/Hot Spring Shark Attack’ is a gleeful, many-toothed tribute to ‘Jaws’
Find out why “Monster Island” reminded Marie Gilbert of the double-feature creature films of her youth.
The performances from Avangeline Friedlander and Lily D. Moore make “The Other” worth watching.
Ralph Fiennes saves “28 Years Later” from the weight of expectations in this long-awaited sequel to “28 Days Later.”
What are you willing to do to be happy? In Yuta Shimotsu’s haunting film, “Best Wishes to All,” we are asked that question, and the answer is frightening.
If you’re looking for an action-packed science fiction film, then “Escape from the 21st Century” is definitely for you.
Marie Gilbert expected “Sinners” to be just a horror film. What she got was something more.
