“Final Destination: Bloodlines” provides a perfect entry point into the world that’s been built over the last quarter century while providing some interesting morsels for longtime fans.
“Pavements” is director Alex Ross Perry’s love letter to one of the ‘90s most enduring bands.
Marie Gilbert looks at the new Canadian horror film “Kryptic” and talks to its director, Kourtney Roy.
In “Agatha’s Almanac,” filmmaker Amalie Atkins introduces us to Aunt Agatha and the beauty of simplicity.
Marie Gilbert talks to Shashwati Talukdar and Cheryl Hess, the directors behind “Marriage Cops.”
Marie Gilbert looks at “The Dirty South” and talks to the film’s producer, Suzann Toni Petrongolo.
Saturday At The Movies: Two different films claim to be the FIRST Irish-language horror! Which will reign supreme (spoiler: neither, because you don’t have to pick)
In the bold documentary “Crocodile Eyes”, we are taken by the hand and gently guided through a journey of honesty into the one hundred days of Ingrid Veninger’s life.
The spirit of wrestling is alive in “Raging Midlife,” a movie about love, fandom, and an old shirt. Check out Jeffery X Martin’s review!
“Darkest Miriam” is the type of film that you hold close to your heart as you would your favourite book.
Nearly 35 years after its release, Andy Burns finally catches up on “Tremors.”
Marie Gilbert guarantees you’ll feel good after watching “Superboys of Malegaon.”
