“Ninety percent of everything is crud.” – Theodore Sturgeon
Greetings and welcome to another installment of The Ten Percent! Every two weeks (well, roughly), Ensley F. Guffey and I use this space to take a look at the inverse of Sturgeon’s Law; in other words, the small portion of everything which is not crud. Viewed as a whole, Sturgeon was, sadly, right – the vast majority of movies, television, writing, art, and so on really is crud – but there has always been that slim slice of sublime. The Ten Percent isn’t limited by genre – I think our previous columns have proven that point – and that’s because these rare gems are high quality productions which demand more of their viewer than simple passive reception.
I have, on occasion, discussed an entry that makes the cut on The Ten Percent in more than one category, such as a book and the movie made from the book. It’s hard enough to create ONE fantastic thing; to create a Ten-Percent-worthy work in more than a single medium is truly catching lightning in a bottle.
Under the pen of award-winning author, Neil Gaiman, you know that those seemingly disparate elements will make for a compelling story.
Heck, if you’ve read any of his comic book stories, let along his novels, it sounds a lot like the stuff you probably have in your long box collection: The Sandman, Stardust, Miracleman and Death: The High Cost of Living.
But this time, we’re talking about his Hugo, Bram Stoker, Locus, World Fantasy and Nebula Award-winning novel, American Gods – which, finally, gets adapted into the comic book forum in a new monthly series from Dark Horse Comics.
And the writer and artists behind that adaptation are as star-powered as the author who penned the original prose.
Today sees the release of American Gods: Shadows #1!