Saturday At The Movies: Expect The Unexpected in Osgood Perkins’ ‘Keeper’
Osgood Perkins’ latest, ‘Keeper’ feels like a couple of decent performances, mostly-cheap scares, and decent but confusing VFX in search of a story.
Osgood Perkins’ latest, ‘Keeper’ feels like a couple of decent performances, mostly-cheap scares, and decent but confusing VFX in search of a story.
Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’ favours style over substance. But it might be better for it.
You won’t find any spoilers in our review of Zach Cregger’s “Weapons.”
While it won’t keep you up at night, Steven Soderbergh’s “Presence” will keep you engaged with its haunting tale.
It took more than a few tries to get the Fantastic Four right, but that’s what Marvel Studios, Kevin Feige, and Matt Shakman have finally done with “The Fantastic Four: First Steps.”
Ari Aster’s “Eddington” is a big swing, a nearly three-hour Western-style film set in a small town at the dawn of COVID.
James Gunn’s “Superman” repositions the character as the colourful beacon of good that’s made him so enduring for nearly a century.
Sean Byrne’s ‘Dangerous Animals’ is a tense, harrowing shark tale that gives the sharks the reverence they deserve.
“Pavements” is director Alex Ross Perry’s love letter to one of the ‘90s most enduring bands.
Thanks to a gorgeous 4K restoration and an audio remix from the esteemed Steven Wilson, “Pink Floyd at Pompeii” has never been better.
Led by an exceptional Florence Pugh, “Thunderbolts*” delivers that ole Avengers magic.
“One to One: John & Yoko” chronicles the iconic couple’s lives during an 18-month period between 1971-1973.