If you’ve seen one haunted house film, you’ve seen them all. Unless it’s directed by Steven Soderbergh, that is.
Here’s the log line: A family becomes convinced they are not alone after moving into their new home in the suburbs.
It’s simple and concise and accurate, but what it doesn’t include is that Presence is told from the perspective of the Presence, an innovative storytelling decision that makes the film instantly memorable. Soderbergh served as his own cinematographer, putting him as close to the action as possible as he wore slippers to avoid making any noise.
Technical aspects aside, Presence works because of the excellent performances from the lead characters – Mom Rebekah (Lucy Liu), Dad Chris (Chris Sullivan), Son Tyler (Eddy Maday), and Daughter Chloe (Callina Liang). The family dynamic between the four is often difficult to watch. Rebekah favours athlete Tyler, Chloe is suffering from trauma from the death of a friend. At the same time, Chris is caught in the middle of Rebekah’s suspect work dealings and trying to support his children, especially Chloe, who is the only one who feels the presence in their new home.
I was never scared during Presence, which you’d think would be a problem with a haunted house story. However, I was always intrigued throughout the film’s short 84-minute run time. The script rewards careful listening and observation. I felt immense satisfaction that I was able to put all the pieces together as the final moments hit.
While it won’t keep you up at night, Presence will keep you engaged with its haunting tale.
