Izzy Lee’s feature debut ‘House of Ashes’ is a compelling treatise on bodily autonomy and grief while delivering some disturbing imagery that may be natural, supernatural, or some combination of the two.
Rod Blackhurst’s ‘Dolly’ treads familiar French Extremity ground on the way to delivering a dark and depraved tale that’ll stick to your disembodied ribs.
Paul Thomas Anderson’s ‘One Battle After Another’ is a funny, brilliant, surgical satire of authoritarian fascism and one of the year’s best.
Chris Stuckmann’s found footage horror Shelby Oaks has a new trailer ahead of its release from NEON on October 3, 2025!
A romantic comedy set against the backdrop of underground horror filmmaking, Kenichi Ugana’s I Fell In Love with a Z-Grade Director in Brooklyn once again finds the heart underneath the blood and viscera.
Fantasia 2025: Mickey Reece’s ‘Every Heavy Thing” is a both a retro noir thriller and a prescient black comedy that feels extremely of the moment.
Sachin Hingoo runs down all the selections from the 2025 TIFF Midnight Madness Programme!
Jody Wilson’s debut feature ‘The Bearded Girl’ is a coming of age fable that’s both well -worn, tried and true, but with enough slightly shifted reality to feel fantastical.
Morihito Inoue’s ‘Onsen Shark/Hot Spring Shark Attack’ is a gleeful, many-toothed tribute to ‘Jaws’
Sean Byrne’s ‘Dangerous Animals’ is a tense, harrowing shark tale that gives the sharks the reverence they deserve.
Following up on their surprise hit ‘Talk To Me’, the Philippou brothers return with ‘Bring Her Back’, an exploration of extreme grief that often feels weighty in the wrong ways.
“Final Destination: Bloodlines” provides a perfect entry point into the world that’s been built over the last quarter century while providing some interesting morsels for longtime fans.
